(Andy Synn provides an unexpected SYNN REPORT, seizing upon the imminent calendar change to discuss the re-recording of 12 songs by 12 tremendous bands — and of course we’re including the music, which means 24 tracks. Fuck, this would be a mixtape that KILLS.)

So here it is, a surprise Synn Report to finish off the year. Arbitrary though the distinction may well be, the end of the year provides a perfect excuse to attend to a similar theme, the transition from the old to the new – re-workings and re-recordings.

Are they better? That’s an argument for the ages? Are they necessary? Hell, that’s probably an even worse argument to start up…

Primarily, re-recordings serve a twofold purpose – 1. to reinvigorate songs that might otherwise not be getting the set-time they deserve, and 2. – to royally piss off a band’s fan-base. Although there’s a chance that the second isn’t entirely intentional. Still, the re-recorded album courts controversy like almost no other, whether it’s a varied collection of songs that are chosen to receive the treatment, or a full re-recording of an entire album.

The full re-recording of an entire album is clearly the most contentious option, while single track re-recordings are often a much more successful and welcome proposition, most often appearing as b-sides and bonus tracks for the avid collector. The full-album re-recording, however, remains exceptionally and unequivocally divisive, alienating as many old fans as it attracts new ones.

So here’s a list of some of those renewed tracks that I think definitely have something to offer the listener, both old and new. I’m sure I’ll have to turn in my kvlt card after this, for promoting something so new and shiny, but ah well… Continue reading »