OUR LIST OF 2024’S MOST INFECTIOUS EXTREME METAL SONGS (PART 11): OPETH, BORKNAGAR

 MOST INFECTIOUS SONGS-2024  2 Responses »
Jan 162025
 

(written by Islander)

In yesterday’s installment of this list I think it’s fair to say that I spelunked pretty far underground with the selections, and (to mix my metaphors) veered off the beaten paths we usually beat around here. And so it seemed appropriate today to bounce back with songs from two bands of long standing and widespread veneration, both of whom released standout albums last year (though the first one wasn’t without its fan controversies).

I should add another explanation for today’s choices: I listened to hundreds of songs last year and found many of them infectious, as I define the word, far too many to include all of them in this list. And so part of what I try to do is to make choices that also provide a reflection and survey of metal in 2024, though in all cases my own tastes are still in command.

To find yesterday’s unconventional installment and all the other Parts of this list so far, click this link. Continue reading »

BECAUSE WITTY YEAR-END LIST TITLES ABOUT RUINING THE HOLIDAYS ARE FOR SUCKERS — THE DGR YEAR ENDSTAVAGANZA PART ONE: 50-41

 LISTMANIA 2024  4 Responses »
Dec 162024
 

(This is the first part of a five-part countdown by DGR of his 2024 year-end list, with each selection accompanied by his very extensive thoughts about the releases. Our plan is to roll out the rest of the installments on successive days until this week ends or falls into a sinkhole under the weight of his words.)

It feels like I blinked and suddenly a whole year had passed. Maybe it’s just the flow of life finally catching back up to me but this year moved in extreme fits and extreme starts and somewhere along the way I lost track of it among the deluge and wreckage that seems to be a daily existence. Among the piles of charred wood and still yet burning cars is another three hundred and sixty-five days of existence slowly signing its final paperwork and preparing itself to move on from the mortal coil.

At the very least, there was some sort of notification that this was coming. It feels like every year I open with some variation of ‘hey, this previous year sucked shit,’ and I’m pretty sure I’ve taken a similar tack to open up a few of the previous year-end posts – if only some sort of dipshit had done an anniversary post whereby he might have easy access to all his previous years’ transgressions upon the internet and the collective heavy metal world at large –  so I’ll dispense with the usual landfill avalanche of thoughts pertaining to world events and the previous days gone by because, shock of all shocks, this year sucked.

Next year is likely going to suck too and the year after that will probably suck even worse. We’ll make the word ‘suck’ mundane through repetition, as if an ever-present shadow haunting our lives, by the time we’re done with this. Eventually, we will all lose all sense of what the word actually means and we will be permanently trapped in some sort of constant suck-vortex powerful enough that we’ll get dragged into court for infringement by Dyson and we’ll be numb to the common sense of suck surrounding us. We’ll have finally ascended into the boring dystopia I’ve bitched about that is coming for years. Just my luck I can’t even get one with decent Blade Runner lighting. Continue reading »

SEEN AND HEARD ON A SATURDAY: OPETH, OMINATION, ORANSSI PAZUZU, THE FLIGHT OF SLEIPNIR, AGRYPNIE , MAUL, TRIBULATION

 Metal News, RANDOM FUCKING MUSIC  No Responses »
Aug 032024
 


Opeth photo by Terhi Ylimäinen

Raise your hand if you’re surprised that I’m starting this Saturday’s roundup with Opeth‘s new song.

Okay, I see no hands. Well, almost none; I see my own because I’m a self-taught typist and therefore hunt and peck.

But I’ll try to be more surprising after we talk about Opeth.

OPETH (Sweden)

Based on the small dose of social media I’ve seen, Opeth‘s first single from their next album is proving to be divisive. (I can only stomach social media in small doses, like beets or eggplant). In one camp are people who are unhappy with the dominating return of Mikael Åkerfeldt‘s death growls for the first time since Watershed. In the other camp are those who’ve welcomed the return with open arms and gleeful grins. Can you guess which camp I’m in? Continue reading »

VIDEOGRAPHY: OPETH, THE MONOLITH DEATHCULT, ARSIS, ICHOR, DÉCEMBRE NOIR, KÖHLBRAND

 Metal News, RANDOM FUCKING MUSIC  1 Response »
Nov 032018
 

 

I thought I’d round up a quintet of videos that surfaced over the last couple of days, in the hope of making your Saturday a bit more entertaining. I’m going to (mostly) dispense with the usual commentary this time and leave you to go exploring on your own. Of course, that doesn’t mean we don’t want your commentary — so please do leave us some!

OPETH

The first one is a live recording of Opeth performing the glorious “Ghost of Perdition” on May 11, 2017. It comes from the band’s new live album, Garden of the Titans: Live at Red Rocks Amphitheatre, which was released on November 2nd by Moderbolaget Records and Nuclear Blast on DVD, Blu-Ray, and vinyl formats. Continue reading »

SEEN AND HEARD: BLOODBATH, OPETH, BARÚS, WARBRINGER, DÖDSRIT, CONCRETE AGE

 Metal News, RANDOM FUCKING MUSIC  5 Responses »
Aug 172018
 


photo by Steve Brown

 

Despite the fact that we had a two-part round-up of new music yesterday, metal stops for no one, and so there’s a bunch more stuff, most of which surfaced over the last 24 hours, that has prompted yet another round-up today. And of course, what you’ll find below isn’t nearly everything I’d like to foist upon you, but it will have to do for now.

P.S. I’m in a hurry, and so I’m afraid I’ll have to dispense with my usual impressions of the music I’ve included here. Even more unusually, the first item in this collection includes no music at all, but it seemed sufficiently newsworthy that I’m including it anyway.

BLOODBATH

Today’s torrent of e-mails in the NCS in-box included an announcement by Peaceville Records that a new Bloodbath album has been set for release on October 26th, the name of which is:  The Arrow Of Satan Is Drawn. Which is a very promising title, as are these excerpts from the press release: Continue reading »

SEEN AND HEARD: GATECREEPER, FÓRN, PREDATORY LIGHT, HOBBS’ ANGEL OF DEATH, OPETH

 RANDOM FUCKING MUSIC  14 Responses »
Aug 032016
 

Gatecreeper-Sonoran Depravation

 

I’m finishing this post on the way to the airport, where I’ll board a flight for Las Vegas with my spouse to attend the wedding of one of her nieces. We’ll be there for three days. That may interfere with NCS activity for the rest of the week. If there’s not much up on the site between now and Sunday, that’s the explanation.

But it may not interfere. Everyone I know who will be at this thing, including my wife, plans to spend a lot of time in the casino. I’m not much for gambling; throwing away money in an undoubtedly losing cause tends to sap the pleasure after a while. And since I’m not keen on getting broiled outside, that leaves the hotel room… and metal.

In the meantime, here’s a quick round-up of new music. Because time is short, I have to largely dispense with reviews/descriptions today. The last time I did this, a reader jumped on me for not at least providing a genre description, so I’ll do that. Continue reading »

SEEN AND HEARD (PART 1): MARYLAND DEATHFEST XV, ASPHYX, OPETH, MEGADETH, AMON AMARTH, MESHUGGAH, HIGH ON FIRE

 Metal News, RANDOM FUCKING MUSIC  22 Responses »
Jul 192016
 

MDF XV revised flyer

 

Ten days have passed since the last time I put together a round-up of news and recommended new music, which is an unusually long gap. Perhaps needless to say, trying to catch up is out of the question. What I’m going to do instead is just pull together some big news announcements from the last 24 hours in this post (plus one related recent song), and then collect a few more recent music streams in a second part that I’ll post a bit later today.

MARYLAND DEATHFEST ANNOUNCES SECOND ROUND OF CONFIRMED BANDS FOR 2017

On June 30, as we dutifully reported, the organizers of Maryland Deathfest announced the first round of confirmed bands for the XVth edition of the festival, scheduled to take place on May 25-28, 2017, in Baltimore. Just minutes ago, MDF announced a second round of confirmed bands — plus some surprising news about where the festival will, and won’t, take place next year. Here are the new confirmed names: Continue reading »

SEEN AND HEARD (PART 2): OPETH, INSOMNIUM, EXCUSE, SLAGMAUR, SKANDAL, REVENGE, HAIL OF BULLETS

 RANDOM FUCKING MUSIC  13 Responses »
Jun 152016
 

Opeth 2016-photo by Stuart Wood
Photo by Stuart Wood

This is Part 2 of a round-up of newly discovered things that I began earlier today (here). As expected, between posting Part 1 and getting ready to post Part 2, I spied more developments that happened this morning and have added them (the first two items are in that category, as is the last).

I nearly didn’t add the first two news items because I thought that, by now, everyone who had any interest in the bands — Opeth and Insomnium — would have learned about the news already. Those names are so big that there was probably even a news flash in The Wall Street Journal. And then I thought that adding the announcements might help ease the day for those people who are afraid that metal will run out of things to argue about before the year ends. To them I say, don’t worry, Opeth and Insomnium are releasing new albums.

OPETH

Yes, Opeth will be releasing a new album late this year (named Sorceress) on a new label, Nuclear Blast Entertainment. Actually, it seems to be a partnership between Nuclear Blast and Opeth’s own imprint, Moderbolaget Records, which I believe is Swedish for “your arguing sounds like a motorboat”.

The press release we received characterized Opeth as “always an unstoppable force for uniqueness amid a sea of generic swill”. Beyond that, it provided no real clues about the musical direction of the new album or how it will distinguish itself from all the generic swill with which the rest of us are forced to feed ourselves in between Opeth releases. Continue reading »

IRRELEVANT LISTENING — VOLUME I

 RANDOM FUCKING MUSIC  10 Responses »
Jan 082016
 

Joseph Mallord William Turner-Death On A Pale Horse-c1825-30

 

(TheMadIsraeli prepared this round-up of music from yesteryear that’s been keeping him company lately.)

The scarcity of my writing last year stemmed partially from a desire to go back and listen to shit I liked or loved from past years, whatever it was, and fuck being musically relevant. This is something I hadn’t done in a long time, and I have to admit that doing this just about saved me from burning out on music altogether. This music blogging thing, it can become genuinely tiresome in the race to try and keep up with what’s worth noting. Listening to albums that may or may not be worth the time you just spent listening to them, to find out whether they are or not, can take a lot out of you sometimes.

I decided it’d be cool to write a piece here and there where I give some commentary on those older albums I’ve listening to, hence the title “Irrelevant Listening”. Maybe this could be a monthly thing, but as much as I intend to get back on the horse in regards to everything else, I’d hate to try and schedule this in any way. However, I have been noticing a pattern where I tend to change my “irrelevant listening” playlist every month or so.

So here are the records that had my attention this past December. Continue reading »

TOO BIG TO FAIL

 Mosh Pit  20 Responses »
Oct 152014
 

 

(In this post Andy Synn offers some opinions and poses some questions — and invites your answers in the Comments.)

Now that the financial crisis is over… fair and equitable punishments have been meted out to those involved… the banks have all learned their lessons… and nothing like that will ever happen again…. I think we can safely move on to discussing more important topics, right?

All (slightly depressing) jokes aside, zeitgeisty terms like “too big to fail” actually have their use and can be applied and utilized in a bunch of wider contexts. Case in point, what happens when a Metal band becomes “too big to fail”, and how does a band even reach that point? Continue reading »

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