THINGS YOU MAY HAVE MISSED (BUT SHOULDN’T)

 Album Reviews  No Responses »
Nov 042024
 

(Andy Synn presents four of October’s most outstanding releases you may not have checked out)

Time’s arrow marches ever forwards my friends, and soon enough – sooner than you think – it will be “List Season” all over again, where we look back and take stock of the year gone by before we turn our attentions to 2025.

As a result I’m having to be incredibly selective about where and how I spend my precious time in regards to reviews, which means that I’ve had to make some fairly lamentable omissions this past month, including the new album from Cosmic Putrefaction (though hopefully I’ll get to that one in more detail in one of my end of year retrospectives), plus both the new Doedsmaghird and Iotunn releases (though you can find excellent write-ups of both over at AngryMetalGuy), and many more besides.

But let’s not focus on what we may have missed and instead focus on what we shouldn’t, shall we?

Continue reading »

SEEN AND HEARD ON A SATURDAY: OPETH, OMINATION, ORANSSI PAZUZU, THE FLIGHT OF SLEIPNIR, AGRYPNIE , MAUL, TRIBULATION

 Metal News, RANDOM FUCKING MUSIC  No Responses »
Aug 032024
 


Opeth photo by Terhi Ylimäinen

Raise your hand if you’re surprised that I’m starting this Saturday’s roundup with Opeth‘s new song.

Okay, I see no hands. Well, almost none; I see my own because I’m a self-taught typist and therefore hunt and peck.

But I’ll try to be more surprising after we talk about Opeth.

OPETH (Sweden)

Based on the small dose of social media I’ve seen, Opeth‘s first single from their next album is proving to be divisive. (I can only stomach social media in small doses, like beets or eggplant). In one camp are people who are unhappy with the dominating return of Mikael Åkerfeldt‘s death growls for the first time since Watershed. In the other camp are those who’ve welcomed the return with open arms and gleeful grins. Can you guess which camp I’m in? Continue reading »

SEEN AND HEARD ON A SATURDAY: ORANSSI PAZUZU, DEFACEMENT, KANONENFIEBER, CONSUMPTION, GASKET

 Metal News, RANDOM FUCKING MUSIC  No Responses »
Jun 012024
 


Oranssi Pazuzu – photo by Rainer Paananen

Look at this, a true rarity: two NCS posts on a Saturday. If you haven’t yet read the first one, Andy‘s Synn Report for the merry month of May, you should do that (here) and then come back for what follows below.

If you had only listened to three new songs this past week it would be easy to choose what to recommend and to explain why. You’d pick three, two, or one of them. Or maybe you’d just keep quiet if they left you lifeless.

But what if you had listened to 20 new songs? How would you choose among then? Maybe you would listen to all 20 several times and then start ranking them. By the time you’d narrowed it down, the day would be gone. Which is why I didn’t do any of that with the 20 new songs I wanted to hear for purposes of this roundup.

What I did instead was to focus on singles from a few bands who have already proved themselves dependable (there were other such bands on that list of 20, so mood and impulse played a role too), and then took one chance on a newcomer to these ears. Continue reading »

OVERFLOWING STREAMS (PART 2): LOCK UP, MASSACRE, MASTODON, MIRE, ORANSSI PAZUZU, SARKE, SELBST, WOMBBATH

 Exceptions to the Rule, Metal News, RANDOM FUCKING MUSIC  3 Responses »
Oct 032021
 

 

And now to conclude the big round-up of new songs and videos I started here earlier today. I’m continuing to arrange everything in alphabetical order by band name, picking up where Part 1 ended, and continuing to add only scattered comments instead of more effusive verbiage.

LOCK UP (Sweden)

Last weekend I started a round-up with the same cover art you see above, though at that time there was no music. Now there is, along with a video made by Chariot of Black Moth. The song is from Lock Up‘s new album The Dregs of Hades (November 26, Listenable Records), and includes vocals from Kevin Sharp (Venomous Concept, ex-Brutal Truth) was well as Tomas Lindberg (At the Gates). Prepare for screaming, scathing, hammering death/grind madness. Continue reading »

ANDY SYNN PRESENTS: REVIEWS IN HAIKUS (GHOSTS OF THE SUN, IRIST, LUCTUS, MAIASTRA, ORANSSI PAZUZU, SOLOTHUS)

 Reviews In Haikus  6 Responses »
Apr 172020
 

 

(Nineteen months after the last time he did this, Andy Synn has brought us another collection of three-line album reviews.)

I have to thank our buddies over at the Toilet Ov Hell for inspiring this brand new edition of “Reviews In Haikus”.

After all, if they hadn’t recently tried to steal my thunder then I probably would have forgotten all about this particular column (it turns out I haven’t done one since September 2018).

It’s good timing too, as there’s been a bunch of newly released (or newly discovered) albums from the past couple of months which I’ve been itching to write about, but which I simply haven’t found the right time (or right format) to cover properly.

So, without further ado, here’s a collection of reviews/critiques/comments all delivered in the form of the ageless haiku. Continue reading »

OVERFLOWING STREAMS: AEONIAN SORROW, ARCANE SANCTUARY, BARISHI, CARNAL SAVAGERY, DECAYING, HAIL SPIRIT NOIR, HYZZTEREZIS, LIGHTNING BOLT, ORANSSI PAZUZU, PARADISE LOST, THE RUINS OF BEVERAST

 Metal News, RANDOM FUCKING MUSIC  4 Responses »
Mar 242020
 

 

For reasons I can’t identify, these days I feel compelled to throw as much music your way as I can. I’ve noticed that, contrary to my expectations, this unnerving shut-in phase that most of us are going through has led to a significant increase in daily visits to our site. Maybe people need music more than usual to get through these dark days. Maybe that’s the source of my greater-than-usual compulsion.

Whatever the reason, it seems like you’ll be seeing more and more of these big compilations (with brevity of words) rather than the more typical SEEN AND HEARD posts. I hope I can do another one tomorrow, because I still have a lot I want to recommend.

AEONIAN SORROW (Finland/Greece)

A beautifully contrasting experience from this multinational funeral doom band, the song juxtaposes graceful and ethereal sounds of mist and mysticism and episodes of ravaging heaviness and splintering sorrow, combining the most harrowing roars and haunting feminine singing, creating moods of stately bereavement and wrenching frenzy. A really beautifully executed new video, too. Continue reading »

OVERFLOWING STREAMS (PART 2): MASS WORSHIP, KHEMMIS, NITE, ORANSSI PAZUZU, ORPHANS OF DOOM, PANZERFAUST, REVULSION, SECRETS OF THE MOON, SICARIUS, TEMPLE OF VOID, WEREWOLVES

 Metal News, RANDOM FUCKING MUSIC  4 Responses »
Mar 142020
 

 

Many of us here in the U.S., as elsewhere, are essentially stuck at home. We’re supposed to stay away from our fellow human beings, and there’s not much to do away from home anyway. Fortunately, the virus hasn’t infected the internet so I can still eject new songs and videos at your head, which I’ve been doing at great volume today — a dozen of them in Part 1 of this post (here), and almost another dozen in this one. I mean, what the hell else do you have to do?

Once again, everything is organized in alphabetical order by band name, picking up from the items in Part 1, and I’ve again truncated my usual commentary.

MASS WORSHIP (Sweden)

Get seduced by the dual-guitar intro, stay for the jackhammering of your neck and the vocal scorching of your face… a bitter and battering experience. Continue reading »

ROADBURN FESTIVAL 2017 — A PHOTO ESSAY BY LEVAN TK (DAY 3)

 Concert Reviews  4 Responses »
Jun 142017
 


DISFEAR

 

The latest edition of Roadburn Festival took place at Tilburg, The Netherlands, on April 20-23, 2017, and L.A.-based photographer extraordinaire Levan TK was there to capture the performances on film.

We are fortunate to bring you some of his amazing photos, divided among the days of the festival, with his photos from the third day in this post. To see the photos from Day One, go here, and the photos from Day Two are here. Photos from the final day of fest will be coming soon.

P.S. Levan was quick to get us these photos. The delay in sharing them is entirely the fault of our half-wit editor. Continue reading »

SEEN AND HEARD: INCANTATION, PARADISE LOST, DESOLATE SHRINE, SCHAMMASCH, KHOST, ONE MASTER, KZOHH, PÁRODOS, SUBLIME CADAVERIC DECOMPOSITION, ORANSSI PAZUZU

 Eye-Catchers, Metal News, RANDOM FUCKING MUSIC  6 Responses »
Jun 082017
 

 

Not for the first time, I had a discussion with a few of my NCS comrades at Maryland Deathfest about how much stuff I post most days. I think their feeling was that 4 posts a day at NCS should be considered adequate, and that more tends to result in reader/listener overload. While I think this is good advice for my exercise of editorial discretion, and undoubtedly would help relieve the frenzied stress levels of my daily existence, the sad fact is that I… just… can’t… fucking… help myself! I see or hear something that gets me excited, and I feel an apparently irresistible compulsion to share it.

And so, while today I’ve already posted an album review and plan to post three premieres (one of which is a full album, accompanied by a review), I also decided to compile this round-up. On the bright side, two of the following 10 items(!) only consist of artwork and news — and I could have made this soooo much longer, but I’m saving some new discoveries for this weekend.

INCANTATION

I was gob-smacked the first time I saw Eliran Kantor’s artwork for the cover of Incantation’s new album. Even now, seeing the piece with the band’s name and the album title on it, my gob is still smacked. The first single from the album has also proven to be a gob-smacker. But before we get to that, here’s Eliran Kantor’s explanation about the inspiration for his painting on the cover of Profane Existence: Continue reading »

MARYLAND DEATHFEST 2017 — A REVIEW (PART 1)

 Concert Reviews  3 Responses »
May 312017
 

 

That photo up there shows the sight that greeted my eyes on Monday night while waiting for my ferry boat home after returning to Seattle from Maryland Deathfest 2017, but it also accurately represents my glowing impressions of this year’s fest in Baltimore.

Like many, I was disappointed to learn that MDF would be “downscaling” this year, eliminating the Edison Lot venue and having all the shows indoors at Rams Head Live and Soundstage. I also saw some grumbling on the internet (imagine that! grumbling on the internet!) that the line-up wasn’t as strong as in many past years; on top of that, Nightbringer was a last-minute no-show because of an airport outage in the UK.

Despite those misgivings, my own strongly held view is that this edition of the festival was a rousing success. (Part 2 of this post can be found here.) Continue reading »

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