AN NCS ALBUM PREMIERE (AND A REVIEW): PLOUGHSHARE — “SECOND WOUND”

 Album Reviews, Premieres  2 Responses »
Nov 052024
 

(written by Islander)

Think of things you’ve witnessed that have astounded you, things that have shocked and surprised you but also popped your eyes and dropped your jaw in wonder. And not just sudden experiences that end after moments, but continuing cavalcades that catch you quickly, swallow you up, and allow no quick release.

Maybe a circus (when such things still existed)? Maybe a riot? Maybe a brazen symphony? Maybe blizzards and floods that weren’t forecast?

Asking you to recall such events is the best and briefest way I can think of to prepare you for Ploughshare‘s new album, Second Wound. Listening to their previous releases would be another kind of preparation, but not entirely adequate because on the new album these Australian experimental extremists have looped together both newer and older phases of their output to create an even more elaborate and more mind-lacerating (but wondrous!) experience.

Here’s how they briefly describe what they’ve done: Continue reading »

SEEN AND HEARD ON A SATURDAY (15 BANDS, 16 SONGS)

 Exceptions to the Rule, Metal News, RANDOM FUCKING MUSIC  3 Responses »
Sep 212024
 

(written by Islander)

Yesterday morning my fellow NCS slave DGR sent me the names of 11 bands whose new songs he thought would make good fodder for this Saturday roundup. That was on top of more than a dozen new songs and videos I had on my own list. What to do?

Putting two dozen new tracks into this roundup seemed excessive, if not for you then certainly for me. That’s just way too much work. I thought about just embedding all the streams, without any further info or my own priceless commentary. I even thought about asking someone who’s on Spotify (which I am not) to make a playlist of all the songs and sticking that in here, which would have been an even lazier strategem.

I figured out a solution. It’s not a great solution, just a compromise, and like all compromises it leaves the contending parties unhappy (the contending parties here being two argumentative parts of my brain).

The songs below are alphabetized by the name of the band that made them — another lazy strategem, but one that has resulted in some amusing and interesting contrasts and complements. Nostalgia had something to do with some of these picks (that will be obvious when you come to them). This collection also includes more than a few exceptions to our “rule” about vocals and some curveballs that dive outside our usual strike-zone (sometimes at the same time). Continue reading »

AN NCS PREMIERE: PLOUGHSHARE — “A HORRIBLE AND TERRIFYING IMPRESSION”

 Premieres  No Responses »
Nov 032022
 

We’ve written something about every release so far by the Australian band Ploughshare, whose record titles seem evocative of their world view: the 2017 EP Literature of Piss; the 2018 debut album In Offal, Salvation; and the 2019 EP Tellurian Insurgency. We keep that streak going today with our premiere of “A Horrible and Terrifying Impression” from Ploughshare‘s forthcoming second album, Ingested Burial Ground.

In our previous writings we’ve piled up adjectives in an effort to capture just how viscerally terrorizing Ploughshare‘s genre-splicing music is — “violent, oppressive, and mind-bending” was one such string of words.

And, well, we will try again now, because the new album and the song you’re about to hear are also frightening, but they’re also not mere repetitions of what the band have done before. New weapons have been added to the arsenal of nightmares. Continue reading »

SEEN AND HEARD ON A SATURDAY: LORD MANTIS, ABIGAIL WILLIAMS, STRIGOI, PLOUGHSHARE

 Metal News, RANDOM FUCKING MUSIC  No Responses »
Oct 192019
 

 

It’s been another messed-up week for yours truly. My usual routines have been flipped upside-down by events in my personal life, and I’m not sure when they’ll be right-side-up again. As with the week before last, new-music round-ups were a casualty. I did manage to find enough free time this morning to compile this one.

LORD MANTIS

Five years after Death Mask, Lord Mantis has revived and recorded a new album named Universal Death Church. The line-up this time consisted of a reunion of vocalist/bassist Charlie Fell and guitarist/vocalist Andrew Markuszewski, joined again by guitarist Ken Sorceron of Abigail Williams, and by new drummer Bryce Butler in place of the late Bill Bumgardner. Continue reading »

DELIRIUM REIGNS SUPREME: PLOUGHSHARE, DESTROYER ATTACK, ERIPHION, LODGE OF THE EMPTY BED

 Album Reviews, RANDOM FUCKING MUSIC, SHORT BUT SWEET  1 Response »
Jul 052018
 

 

Sometimes when you have no plan, the plan makes itself. A guiding hand intervenes, or if you’re not superstitious, you nod your head at the pleasures of serendipity and synchronicity.

I didn’t plan to make this post, but in searching for new music I happened, by a fortunate chance, to listen to the music in this post in the exact same order as I’m presenting it here. And it all seemed to fit together in a way that spawned the title of this post.

PLOUGHSHARE

Literature of Piss was the 2017 debut EP of this band from Canberra, Australia. In Offal, Salvation is the band’s 2018 debut album. “The Urinary Chalice Held Aloft” is the name of one of the tracks on the album. Perhaps you begin to get a sense of the band’s worldview. Continue reading »

SEEN AND HEARD: LO-RUHAMAH, AILS, PLOUGHSHARE, NECROT, ASHES FOR THE MUTE, IGORRR

 Album Reviews, Metal News, RANDOM FUCKING MUSIC, SHORT BUT SWEET  8 Responses »
Apr 132017
 

 

This collection of new music is perhaps more eclectic and quirky than usual. Certainly, some of the tracks collected here are difficult to categorize, and in some cases almost impossible to describe. As a playlist, I found it appealing in part because it threw me off-balance. As usual, I also tried to include under-the-radar names, as well as (somewhat) better known ones, though I doubt any of these names have reached beyond the crevices of the underground.

LO-RUHAMAH

This makes the third time I’ve emblazoned our site with that wonderful piece of artwork by Elijah Gwhedhú Tamu at the top of this post, but the first time I’ve been able to share any music from the album it adorns. I’ve been eager to find out what kind of music would be wrapped within this imagery, and now I know that it’s as interesting and as attention-grabbing as the visual art. Continue reading »