MISCREANCE: “REMINISCENCE”

 Album Reviews  1 Response »
Sep 092026
 

(Below we present Professor D. Grover the XIIIth’s review of a new album by the northern Italian quartet Miscreance, which was released by Season of Mist in late August.)

Greetings and salutations, friends. There have been an increasing number of bands in recent years who are mining the early days of the tech-death subgenre for influence, to varying degrees of success. It’s a reasonable assumption that most of these bands grew up listening to classics like Human or Piece Of Time or Testimony Of The Ancients, especially with the internet making it so much easier to access and discover the sort of album that was fairly obscure at the time of release.

Miscreance caught my attention in 2022 with their full-length debut Convergence, and while I didn’t do the NCS review, I was sufficiently impressed that it wound up in the number 6 spot on my year-end list here, beating out releases from some of my favorite bands of all time. They’ve been on my mind ever since, and I was pretty darn excited when word came that their follow-up was coming. Continue reading »

GOROD: “THE EMBER GONE”

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Sep 022026
 

(We present a review by Professor D. Grover the XIIIth of a new album the French metal band Gorod which was released last Friday.)

Greetings and salutations, friends. As you may have picked up on in recent years, I’m a big fan of modern technical death metal (not that I mind the classic old-school stylings of Death, Cynic, Pestilence, and Atheist). In recent times over on Bluesky I ranked my top twenty modern tech-death albums (read: post-Necrophagist), one album per artist, and my number one with a number belonged to Gorod’s Process Of A New Decline. It was probably the album that truly made me love tech-death and it’s an incredibly influential album for me even to this day. I’ve loved everything Gorod have released, both before and since, but there’s been a definite evolution in their style over the years, a creeping prog influence that has culminated in The Ember Gone. Continue reading »

NEURAL GLITCH: “HYPNOTIC IMPAIRMENT”

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Apr 242026
 

(Texas-based Neural Glitch released an album last year that ranked high on the year-end list of our old friend Professor D. Grover the XIIIth, and just last month they released another full-length that has gotten Grover even more excited. He explains why in this review, which includes info and insights drawn from a dialogue with the project’s mastermind.)

Greetings and salutations, friends. With the sheer quantity of music that I’ve listened to in my many years on this earth, it’s become increasingly rare that I find something that really catches me by surprise these days. And yet, as you’ve no doubt surmised, it does still happen on occasion, as was the case with Neural Glitch’s debut from last year, Convinced To Obey. The absurd mix of technical death metal and sample-heavy glitch electronica reminded me in various parts of a number of different bands while still presenting something really unlike anything I’d heard before, and I was enamored enough that the album landed in the top ten on my year-end list here, standing as the only release from a band with which I was previously unfamiliar in that top ten.

You can imagine my surprise, then, when I found out that after only a year and a couple months, the band had released another album. The turnaround is especially impressive given the densely layered nature of the music here. HypNOTic ImpAIrment has actually surprised me once again, representing an impressive step forward in songwriting and general production while retaining the gloriously anarchic spirit of its predecessor. As much as I enjoyed Convinced To Obey, this is undoubtedly a better album. Continue reading »

LISTMANIA 2025: A YEAR-END LIST FROM PROFESSOR D. GROVER THE XIIITH

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Dec 232025
 

(Our old friend from Ohio, Professor D. Grover the XIIIth, has called the class to order again for the purpose of laying out his quite diverse year-end list of Top 20 albums (though actually more than that), and here they are.)

Greetings and salutations, friends. Another year has passed, and we are all of us another year closer to death. The world is generally shit, fascism is somehow on the rise again because time is a fucking flat circle, and the rich continue to conspire to get richer while making life miserable for the rest of us poor bastards. And yet! There is still an abundance of good music being released, so it’s not all bad.

As always, I am usually busy doing Dad Shit, which now includes Teaching A Teenager To Drive and also Dealing With That Same Teenager Having A Boyfriend, in addition to the usual Trying To Attend Sports Stuff For Three Kids, Sometimes All At Once. It’s exhausting! But it’s also, honestly, very rewarding. I love my life as it pertains to my family and would not change any of it. I’ve been a parent almost as long as No Clean Singing has existed, and it’s been a pleasure to watch the site grow along with my kids.

I’ve also been posting on Bluesky (@ruinerxiii.bsky.social), which is a lot like Twitter except that it’s not run by a Nazi and there’s a lot less racist fuckwits. You should follow me there, if you want to, and also make sure you’re following the official No Clean Singing Bluesky account. I talk a lot about music, and this year I counted down the album list you see here in the weeks leading up to this post. Continue reading »

BURIED REALM: “THE DORMANT DARKNESS”

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May 262025
 

(Our old friend Professor D. Grover the XIIIth returns to NCS to sing the praises of a new album by Colorado-based Buried Realm that saw release in April of this year.)

“Who the hell is Josh Dummer?”

Greetings and salutations, friends. The above question was what I asked myself upon hearing Buried Realm’s 2020 album Embodiment Of The Divine, a surprisingly polished platter of modern melodeath in the vein of Scar Symmetry and Bloodshot Dawn, two bands whose output I greatly enjoy.

Dummer is the sole member of Buried Realm, handling all songwriting, guitars, bass, and vocals, with the exception of a number of notable guests on each album (more on that in a moment). I was impressed at the level of skill present on Embodiment, to the point that it ranked as my number 7 album of 2020. 2022’s eponymous follow-up was equally impressive, with a better sound, and ranked as my number 10 album of the year in a very strong crop of albums.

Now, Dummer returns with The Dormant Darkness, and I have thoughts. Continue reading »

CYTOTOXIN: “BIOGRAPHYTE”

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Apr 222025
 

(On April 11th the German destroyers in Cytotoxin independently released their new album Biographyte. For our friend Professor D. Grover the XIIIth it was one of his most eagerly anticipated albums of the year, and now we have his review of it.)

Finally, it is here. Rejoice!

Greetings and salutations, friends. My early exposures to Cytotoxin generally revolved around me hearing the early moments of the Gammageddon album, with its overwhelming flurry of guitar notes and pig-squeal vocals, just enough for me to decide that this sort of brutal tech probably wasn’t my kind of thing. It wasn’t until I dove into 2020’s Nuklearth, an album that sanded down a lot of brutal death metal’s rough edges, that Cytotoxin really clicked for me, and while it finished fourth on my year-end list for 2020 (a fascinating read four years later, and one that would likely undergo some restructuring with current hindsight), in the years that have followed it’s easily the album from that year that I’ve listened to the most.

My initial misgivings with brutal death metal stemmed from the more over-the-top elements of the subgenre: the ridiculousness of the ultra-low guttural or pig-squeal vocals, the pinging snare drums and rough mixes in general, the gratuitously violent and sometimes misogynistic art and lyrics. Nuklearth had basically none of these, but still married brutality with tech-death precision into something not quite like anything else I had heard. From there I branched out, starting with the rest of the Cytotoxin discography, then to adjacent bands like Katalepsy, Benighted, Unfathomable Ruination, and Analepsy. I still avoid most of the genre, but my horizons have broadened anyway. Continue reading »

clipping. — “DEAD CHANNEL SKY”

 Album Reviews  3 Responses »
Mar 262025
 

(This is our friend Professor D. Grover the XIIIth‘s review of the latest album by the clipping. trio from L.A. and their guests, which has been out on the Sub Pop label since March 14th. And it’s actually the second mention of them in our pages; the first time, almost six years ago, was here.)

Greetings and salutations, friends. There’s a very good chance that you’re not familiar with the noise hip-hop trio clipping., or if you are you may be wondering why they’re being discussed here on No Clean Singing. The answer to that question is because Islander said I could review their new album, mostly, but also because their music is uncompromising and esoteric and has plenty to offer to metal fans who are a little more open-minded.

The trio, comprised of multi-hyphenate rapper-actor-Broadway star Daveed Diggs (best known for filling the roles of Thomas Jefferson and the Marquis de Lafayette in the original stage production of Hamilton and the Snowpiercer TV series) and producers William Hutson (Rale) and Jonathan Snipes (Captain Ahab), recently released their fifth full-length album Dead Channel Sky, the album I am here to discuss. Continue reading »

LISTMANIA 2024: A YEAR-END LIST BY PROFESSOR D. GROVER THE XIIITH

 LISTMANIA 2024  1 Response »
Dec 242024
 

(Our friend Professor D. Grover the XIIIth (ex-The Number of the Blog) has been joining us this time of year for many years to share his diverse year-end lists, and does so again now. There’s a lot here, and, once more, it truly is diverse.)

Greetings and salutations, friends. Here we are again, poring over a year’s worth of music and taking stock of our thoughts about it. I always enjoy the opportunity to reflect on what I’ve heard throughout the year, to see how my music taste has evolved from years past. It’s been a busy year for me, working while trying to adapt my schedule to the sports activities of three kids, but I’ve still found plenty of time to check out a solid number of albums.

As always, I’ll start with some honorable mentions. This is not an exhaustive list of everything that I’ve heard through the year, of course, but it is most of the albums that caught enough of my attention to warrant at least some attention. Many of these could have made my final list, but then said list would have been absurdly long, and I just don’t have the time for that. Unlike last year I’m not dividing them into categories, either, but rest assured, I enjoyed all of these albums a great deal. Continue reading »

THY CATAFALQUE: “XII: A GYÖNYÖRÜ ÁLMOK EZUTÁN JÖNNEK”

 Album Reviews  1 Response »
Oct 252024
 

(Professor D. Grover the XIIIth rejoins us today with his review of Thy Catafalque‘s latest album, which will be released on November 15th by Season of Mist.)

Greetings and salutations, friends, and a happy impending Thy Catafalquemas to all who observe. It is at this point all but an official position of mine here at No Clean Singing as Guy Who Reviews The New Thy Catafalque album, a duty I relish. It is established canon at this point that Thy Catafalque are one of my favorite bands of the last two decades, an opinion bolstered by their consistently excellent output and clockworkesque album release cycle. Impressively, even with bandleader Tamás Kátai solidifying Thy Catafalque as a live entity, this new release (XII: A gyönyörü álmok ezután jönnek, or “The Beautiful Dreams Are Yet to Come”) comes only a year after its predecessor, Alföld. Continue reading »

PRONOSTIC: “CHAOTIC UPHEAVAL”

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May 252023
 

(Professor D. Grover the XIIIth returns to our site with the following enthusiastic review of the second album by Montreal-based Pronostic, which was released in mid-May.)

Greetings and salutations, friends. The fretless bass holds an impressive position in the history of death metal, especially as it pertains to death metal’s more technical sub-branch. Present at the subgenre’s inception thanks to legends like Steve DiGiorgio and Sean Malone, the fretless bass has become especially popular with the current popularity of tech death, thanks to modern practitioners like Dominic “Forest” LaPointe, JP Thesseling, Linus Klausenitzer, and Hugo Doyon-Karout. LaPointe probably set the high water mark for absolute fretless mastery on the most recent First Fragment album, a performance that may never be surpassed.

If this seems like an odd way to start off a review, I say all of this because Pronostic‘s new bassist, Xavier Sperdouklis (also of the excellent Killitorous) has definitely added himself to the conversation on this new Pronostic record Chaotic Upheaval. Continue reading »

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