Mar 162014
 

Hey there. Happy goddamn Sunday to one and all. Most metal blog proprietors take the weekend off, to rest from their work-week labors and to recover from their binge drinking on Friday night. We’re not smart enough to do that. For the last four-plus years we’ve treated Saturdays and Sundays as just two more opportunities to mess with your earholes. Onward to the messing, with four items I filtered from the effluent of the interhole yesterday, presented in alphabetical order:

DEATHWINDS

I came across this Vancouver band via a Facebook post by Vault of Dried Bones, who will be releasing a cassette EP or album (I’m not sure which) by Deathwinds named Endless Wastelands. The only other thing I know about the band is that their three-person line-up (Nocturnal Black, Filth Destroyer, and Desolator) includes members of Chapel and Radioactive Vomit.

Yesterday Vault of Dried Bones began streaming a song named “Black Tombs’ Spirit” on SoundCloud, but after a little poking around I discovered that both “Black Tombs’ Spirit” and another song (“Death Rule”) are up on Bandcamp as pay-what-you-want downloads. I think I can safely say that I love the shit out of them. Continue reading »

Mar 012010
 

Austin, Texas, has always had a vibrant music scene, but so many years have passed since I grew up there that I’ve lost any personal knowledge of how underground metal has evolved, Central Texas-style. All I can do now is judge from a distance, but based on the output of bands like Averse Sefira, Iron Age, Mammoth Grinder, and The Sword, I assume the scene is alive and well.  Now I can add to the growing pile of evidence the debut full-length from Sarcolytic.

Recently released by Unique Leader Records (also home to Arkaik, the sick California tech-death band whose new album we reviewed yesterday), Thee Arcane Progeny channels a shotgun marriage (and I mean the bride and groom have both got em) of black metal and brutal death metal, with the liturgy prescribed by translated Sumerian texts that tell of humanity’s genesis at the hands of godlike extraterrestrials from a tenth planet. Ancient extraterrestrials aside (for the moment), the music Sarcolytic unleashes is elemental and unadorned in its grim fury. (read more after the jump, and listen to a cut from the album . . .) Continue reading »