Aug 062024
 

(The comeback album of the Russian epic doom band Scald has been out for 10 days, and to help celebrate the event we’re publishing Comrade Aleks‘ interview with Scald bassist and lyricist Velingor, which occurred not long before the release.)

Scald was a unique and short-lived phenomenon on the Russian scene in the ’90s. The band gathered in Yaroslavl in 1993, but disbanded in 1997 after the tragic death of vocalist Agyl. Scald‘s first and only full-length album, Will of Gods Is a Great Power, was released posthumously on tapes, but it was only in the 2000s, after its release on CD, that the band began to get recognition and reach fans abroad. Their truly epic doom metal with Viking influences in the vein of Bathory sounded expressive, talented, and powerful.

Scald was revived in 2019 on sheer enthusiasm for a single performance at the German Hammer of Doom festival, when Chilean vocalist Felipe Plaza Kutzbach, who lives now in Sweden, volunteered to perform as Scald’s frontman. Felipe sings in two epic doom bands, Capilla Ardiente and Procession, and thrashes with Deströyer 666. He has a wealth of experience, gifted by the [heathen] gods.

With all the difficulties that exist today for international cooperation and adjusted for the covid period, the release of a new Scald album in itself is a real success. That new album, Ancient Doom Metal, picks up where Will of Gods Is a Great Power stopped years ago. Continue reading »

Aug 252021
 

 

In the early days of NCS I began a recurring series called MISCELLANY, which got up to 78 installments before it died away from neglect. The self-imposed rule for that series was that I would pick bands I’d never heard before and listen to one song (or maybe two) from something new they’d released, record my immediate impressions, and then leave it to readers to decide whether to explore further. That strategy allowed me to sample from albums and EPs that I didn’t have time to listen to completely or review in full, without knowing in advance how the music would strike me (or you).

As you can now see, I’ve decided to revisit this format today, as a way of highlighting some new discoveries I’ve made. In each case here, except for one, I didn’t have any idea how the music would strike me, but dipping my toes in these waters proved to be a good idea (I bought all three of these). So, start wriggling your own toes, and let’s begin.

ASTHENIC SYN (Russia)

This first album is the one out of today’s three that wasn’t a complete shot in the dark. It was recommended to me by Rennie (from starkweather), and I can’t think of any instance where he’s steered me wrong. As a further inducement to check out Asthenic Syn (from Stavropol, Russia), he mentioned that the music made him think of Kriegsmaschine, a reference which drew me like flies to honey. The fact that the individual behind this solo project has taken the name illwisher sealed the deal Continue reading »