Apr 012020
 

 

We have SO MUCH planned for your enjoyment at NCS today, but I made a last-minute decision to begin with this interactive post (at least I hope it will become interactive).

Last night a metalhead friend sent me a Facebook message asking: “If you happen to have some scuzzy, vile, positively abrasive new music that you can put up or recommend my way, I’d certainly appreciate the fuck out of it.” I have my own plentiful stockpile of such stuff, but I thought I’d reach out for other ideas. So I posted his request on FB and asked for recommendations. I mentioned that I didn’t think my friend was a big black metal fan, so suggested that BM should probably be filtered out of the suggestions. Other than that, I asked people to open up the sewers on me.

And I did get suggestions, which I decided to leave below. And I further decided this morning to make an open call to anyone reading this post to leave your own recommendations in the Comments for our mutual benefit (but here there’s no need for you to filter out black metal). So go ahead, open up the sewers on me — and remember that the subject of the request is for scuzzy, vile, positively abrasive that’s NEW (or at least new-ish). Continue reading »

Apr 042016
 

BOTWtitle

 

NCS IntroductionKaptain Carbon returns to NCS with a review of the second Blood of the Wolf Fest , which took place in Lexington, Kentucky, on March 26-27, 2016.  He also took all of the photos that accompany the review — most of which you will find at the end.  Kaptain Carbon operates Tape Wyrm, a blog dedicated to current and lesser known heavy metal. He also writes Dungeon Synth reviews over at Hollywood Metal as well as moderating Reddit’s r/metal community.

“He is Risen!”, they shouted in an authentic southern accent with mocking glee. This was Easter Sunday in the thick of Kentucky during one lull between songs at the second Blood of the Wolf festival. The crowd celebrated the fact that it was, in fact, Easter sunday and the whole weekend was centered around macabre imagery of rising dead. What I am surprised about in this anecdote was not the fact that it happened but how little it happened over the course of Good Friday to the holiest of Sundays. In fact, the whole festival, which drew bands and fans from the midwest and eastern coast of the US, appeared to be more grateful than blasphemous. How can you really be spiteful when you have three days of gorgeous weather, a craft beer garden, and a host of raw, unyielding death metal bands? Continue reading »

Aug 182015
 

shitfucker-midnight split sover

 

This is one of those extremely rare occasions when I’m writing about a new release without being able to include a stream of any of the music. This leaves you without the vital safety net of your own ears, wholly dependent on my own gibberish as a guide. While I really hate putting you in that position, I really have to froth about this release now. If and when a music stream surfaces, I’ll try to remember to add it. But since my memory is no more reliable than my verbiage, maybe you should just order this tasty little split for yourselves.

The partners in crime on this two-song release are Cleveland’s Midnight and Detroit’s Shitfucker, and it will be discharged by Hells Headbangers on 7″ vinyl on September 4.

MIDNIGHT

Midnight’s track is “Sadist Sodomystic Seducer”, and it’s their first new music since 2014’s stupendous No Mercy For Mayhem. It’s only 2:13 long, but man it’s good. Continue reading »

Jan 082014
 

I noticed a lot of new things yesterday. A few of them are collected in this post — an alliterative line-up of new videos and/or songs from Sólstafir (Iceland), Shining (Norway), and Shitfucker (Detroit), plus some welcome news from Wildernessking (South Africa).

SÓLSTAFIR

Yesterday, I spied not one, but three new things from one of our site’s favorite bands, Iceland’s Sólstafir. The first is a new song that appears on a forthcoming 7″ split with another Icelandic band named Legend.  For this split, each of the bands has covered a song by the other. In Sólstafir’s case, the song is Legend’s “Runaway Train”, the original of which you can find here.

I was hooked from the first compulsive drumbeats and darting guitar notes. From there, Addi Tryggvason adds his gritty vocals to what becomes a dark, urgent, hard-rocking take on the original, enhanced by keyboards and an unexpected chant in the mid-section. Damned catchy. Continue reading »