GONZO’S END-OF-SUMMER MEGA-ROUNDUP

 Album Reviews  8 Responses »
Sep 012023
 


Radiant Knife

(NCS contributor Gonzo rejoins us with a selection of seven albums he’s been greatly enjoying over the summer that’s now drawing to a close.)

Summer has a habit of hitting me harder and faster than an Archspire blast beat, so with that in mind, I’ve developed a tradition of compiling my usual monthly columns into one bigger-than-usual compendium at the end of August.

There was plenty to sift through over the past three months – along with some other shit that was released before then that somehow flew under my radar. Let’s dig in.

Continue reading »

OVERFLOWING STREAMS: BAXAXAXA, BLUT AUS NORD, CELESTIAL, DECOHERENCE, FABRICANT, FORTIÐ, FREYA, HARM’S WAY, MANTAR, SKÁLMÖLD, THY CATAFALQUE

 Exceptions to the Rule, Metal News, RANDOM FUCKING MUSIC  1 Response »
Jul 182023
 


Baxaxaxa

Today is the 199th day of 2023. On this day in history, among many other instances of idiocy and abuse, the First Vatican Council decreed the dogma of papal infallibility and Adolf Hitler published Mein Kampf. It’s also the birthday of Nelson Mandela, Screamin’ Jay Hawkins, Hunter Thompson, Vin Diesel, Geno Suarez of the Seattle Mariners, and maybe you, as well as the death-day of Caravaggio, Jane Austen, Benito Juarez, Machine Gun Kelley, and hopefully not you.

It also happens to be a rare weekday when I had time to pull together a roundup of recommended new songs and videos, which has nothing to do with commemoration of any of the preceding events. There’s so much here that I’ve throttled my usual descriptive verbosity (Satan knows there’s more than enough hot air in the atmosphere today already) and left aside some of the cover art until I can upload it later today. (Presented alphabetically by band name, which led to some interesting juxtapositions).

BAXAXAXA (Germany)

Prepare for: low-end rumbling and thrumming plus grim vibrating riffage, immense jolting chugs and ethereal gothic synths, dragging tones of agony and fanatical serrated-edge yells. The experience is menacing and morbid, feral and ferocious, infernal and infectious…. Continue reading »

SEEN AND HEARD: LYCUS, FÓRN, VREDEHAMMER, SKÁLMÖLD, TURIA, DAVID BOWIE

 Album Reviews, RANDOM FUCKING MUSIC, SHORT BUT SWEET  16 Responses »
Nov 202015
 

Lycus-Chasms

 

I came across a ton of new music yesterday that lit me up, too much to cram into a single post. So I made some hard choices, and selected this grouping from six artists with an eye toward creating a diverse listening experience. The last item, of course, isn’t metal — except it kind of is. You’ll see. If I have time I might be able stitch together some more new songs for later today, and if not, tomorrow (because tomorrow is the glorious sixth anniversary of our site’s birth).

LYCUS

January 15 is the date set by Relapse Records for the release of the new album Chasm by Oakland’s Lycus. As you can see, it features cover art by Paolo Girardi. The band’s last album, 2013’s Tempest, was fantastic, and I’ve been curious to see what Lycus would do next.

The new record consists of four long songs, and one of them, “Solar Chamber”, debuted yesterday. Drummer Trevor DeSchryver described its concept this way: Continue reading »

SEEN AND HEARD (Part 1): WOLFHEART, TAAKE, SKÀLMÖLD, BRANT BJORK

 Exceptions to the Rule, Metal News, RANDOM FUCKING MUSIC  6 Responses »
Oct 232014
 

 

Yesterday brought a flood of new music and announcements that peaked my interest. I didn’t have time to post about any of them yesterday, so I’ve got a lot to cover this morning. Which is why this round-up is divided into two parts, with the second one coming later on.

WOLFHEART

Wolfheart’s self-released 2013 debut album Winterborn was fantastic. It was exactly the balm needed to salve the wounds that Tuomas Saukkonen temporarily inflicted on fans when he folded all of his other projects (including Before the Dawn and Black Sun Aeon) to start fresh. Yesterday brought the announcement that Spinefarm Records has now signed Wolfheart and will be re-releasing Winterborn on February 3, 2015, with two additional bonus tracks — “Isolation” and “Into the Wild”. This will be the first physical edition of the album to be made available worldwide.

But even more exciting than that was the news that next year Spinefarm will also be releasing Wolfheart’s second album Shadow World, which the band is now in the process of completing. And here’s one more titillating tidbit of Wolfheart news from the same announcement: Continue reading »

ONE FINAL ROUND-UP: BETHLEHEM, ENCOFFINATION, SKÁLMÖLD, ELEMENTAL NIGHTMARES

 Metal News, RANDOM FUCKING MUSIC  1 Response »
Sep 272014
 

 

As explained here, I’m taking a 10-day hiatus from searching for and writing about new song and video premieres, in order to make time for reviewing some albums I absolutely need to say something about. Before doing that, however, here’s one last batch of new things I found over the last couple of days that I thought were worth sharing.

BETHLEHEM

Germany’s Bethlehem, whose debut album may or may not be responsible for that amorphous genre label “dark metal”, have a new song up for streaming, the name of which is “Ein Kettenwolf greint 13:11-18”. All I really have to say about this depressive ballad is that I’d listen to more rock music if it sounded like this. Warning: clean singing to come…

The song will appear on the band’s sixth album Hexakosioihexekontahexaphobia (fear of the number 666), which is their first in about five years. It will be released by Prophecy Productions on Oct 10 (Oct 14 in the U.S.) and is available for order here. Continue reading »

EYE-CATCHERS: SKÁLMÖLD, ZOM, SEMPITERNAL DUSK

 Eye-Catchers, Metal News, RANDOM FUCKING MUSIC  6 Responses »
Sep 182014
 

 

This morning I spotted three new album covers that grabbed my attention, not only because the cover art in each case is very cool, but also because the bands are, too. In the first two instances, we don’t have music yet, though we do in the third case.

SKÁLMÖLD

We’ve written many times about this fine Icelandic band, most recently in Gemma Alexander’s review of their 90-minute set at this year’s Eistnaflug festival, and so I was especially excited to see the artwork you’re now looking at, because it’s a harbinger of a new Skálmöld album.

The new album, MEÐ VÆTTUM, will be released by Napalm Records later this year. The cover art was created by Ásgeir Jón Ásgeirsson, whose website is here and who also made the cover art for the band’s last album, Börn Loka. I don’t have any of the new music to share with you at this point, but I’m sure we’ll be featuring it as soon as the songs begin to appear. Here’s the staggered release schedule for the album: Continue reading »

AN EISTNAFLUG REPORT: PART 2

 Concert Reviews  7 Responses »
Aug 262014
 


Sólstafir’s Addi Tryggvason with Skálmöld at Eistnaflug

 

(Gemma Alexander is a Seattle-based writer and NCS fan who visited Iceland in the fall of 2012 during the Iceland Airwaves festival and was generous enough to send us interviews with such bands as Angist, Beneath, Kontinuum, Sólstafir, Gone Postal, and Skálmöld. In July of this year she returned to Iceland for the Eistnaflug metal and rock festival (“Eistnaflug” being Icelandic for “flying testicles”), and we are once again the beneficiary of her writing. Today we present Part 2 of a three-part report on the festival, illustrated with Gemma’s own photos. Visit her own excellent blog here and check out more of her reporting on the festival at KEXP’s web site. Part 1 of her report for us is here.)

 

The second day of Eistnaflug began at noon with sets from Pink Street Boys and Oni. I, on the other hand, began less ambitiously, arriving at the venue after 2 p.m. I don’t know anything about the first band, but was sorry to have missed the sludgy, Neskaupstaður-based Oni.

http://oniiceland.bandcamp.com/releases

 

The first band I saw on Friday was In the Company of Men. Billed as mathcore, the effect was individuals doing their own thing in the company of others. But they each went to eleven with it, and maybe my math isn’t very good.

https://www.facebook.com/InTheCompanyOfMen/timeline

 

I had heard that Morð (“murder” in Icelandic) was divisive in the local black metal community. In the event, I couldn’t really see what was so unorthodox. Was their corpse paint all wrong, or was it a slight tendency to slip into groove? Whether tr00 or transgressive, Morð put on a good show.

http://morth.bandcamp.com/ Continue reading »

CATCHING UP (PART 1): BEHEMOTH, ISKALD, SKÁLMÖLD

 RANDOM FUCKING MUSIC  9 Responses »
Dec 102013
 

The pace of metal is molten, as in the pace of a pyroclastic flow. So much news and noteworthy new music erupts each day that I can barely keep up with it even when I’m paying attention. And over the last two weeks while on vacation, I wasn’t paying attention, or at least not much. Trying to catch up with everything that happened while I was away would be foolhardy — because while digging back through even two weeks’ worth of events I’d be missing a lot of what will happen over the next two weeks.

Having said that, I do want to make at least a partial stab at catching up, based in part on messages I received from my NCS co-writers and in part on a few random forays of my own while on vacation. There’s a high likelihood that many of you already know about what I’ve chosen to feature in this multi-part “Catching Up” series, but some may not, so I’m forging ahead. In this first part of the series I’m collecting release information plus new songs or videos by three excellent bands, in alphabetical order.

BEHEMOTH

These Polish titans have a new album entitled The Satanist that will be released by Nuclear Blast on February 3 in the UK, February 4 in North America and Poland, February 5 in Japan, and February 7 in the rest of Europe and the world; it’s now available for pre-order in Europe here. While I was gone, the talented artist Denis Forkas Kostromitin revealed the album’s cover art, which you can see above. It’s a piece entitled “Chalice of Severance” and is described as “acrylics, gilding and blood on linen” — the blood being that of Behemoth’s frontman Nergal. Continue reading »

NEW THINGS FROM SKÁLMÖLD, ANION, IMPERIAL TRIUMPHANT, AND NOCTURNAL GRAVES

 RANDOM FUCKING MUSIC  2 Responses »
Aug 212013
 

In this post I’ve collected three new videos and one new song on which you can feast your eyes and ears. Actually, although I can imagine eyes feasting — because I’ve seen hungry eyes before — ears just look like ears. But they will feast nonetheless.

SKÁLMÖLD

After you have dined upon the following video from Iceland’s Skálmöld, and assuming you enjoy the taste of it, I strongly recommend you read this December 2012 NCS interview of the band’s lyricist and bass-player Snæbjörn Ragnarssonin conducted in Iceland by our very special traveling correspondent Gemma Alexander. There you will learn, among other things, about the complex rules of traditional Icelandic poetry that Snæbjörn follows in his lyrics, the stories from Norse legend that became the foundation for the band’s latest album Börn Loka (“Loki’s Children”), and the use of parallel fifths in the choral arrangements for the last part of the song “Gleipnir”.

I mention “Gleipnir” because that’s the song which is the subject of Skálmöld’s new video. You might be interested in knowing that in Norse legend “Gleipnir” was the name of the magical binding fashioned by dwarves to hold the monstrous wolf Fenrir in captivity — until the events of Ragnarök, when Fenrir breaks free and destroys Odin. Or so says The Font of All Human Knowledge. Continue reading »

AN NCS INTERVIEW: SKÁLMÖLD

 Interviews  1 Response »
Dec 172012
 

(photo by Matthieu Fabert)

EDITOR’S PREFACE: Gemma Alexander is a Seattle writer and NCS fan who visited Iceland this fall, timing her visit to coincide with the Iceland Airwaves festival. While in Iceland, Gemma generously arranged to conduct interviews of some Icelandic bands for NCS. So far, we’ve posted her interviews of Angist, Beneath, Kontinuum, Sólstafir., and Gone Postal.

Today we give you Gemma’s interview of Skálmöld’s Snæbjörn Ragnarssonin. Gemma wasn’t able to catch up with the band in Iceland, and we thank them for agreeing to do this one by e-mail. Except for the photo above, Gemma also took all the pics that accompanying her interview.

********

Throughout the ages, the greatest minds in metal have sought a satisfactory definition for the term “Viking metal.” It seemed that their best efforts were doomed to be fruitless when Amon Amarth, the one band universally agreed to belong to the genre, went on record with this statement:

“We play death metal. We write about Vikings so, therefore, some refer us to Viking metal, but I have no idea what that is. I can’t imagine the Vikings were into metal at all except on the swords and stuff. And musically, I guess they only played these strange lip instruments and some bongos or whatever.”

—The Metal Web’s interview with Johan Hegg Continue reading »

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