Oct 162010
 

When you mentally strip away all the small and large luxuries of life, you are left with the basic rudiments of existence, the core elements necessary for subsistence — food, water, shelter, and in our case, death metal. Nothing fancy, mind you, just the stripped-down, fuzzed-out, palm-muted, drop-tuned, guttural-voiced, percussive approach of the old school, preferably played at a galloping pace.

Rhythmic dynamics and squalling guitar solos are plus factors. Melody is not required.

Eye-catching album art is also a plus, like that busy piece of black-and-white ghoulishness up above by an Indonesian underground artist who calls herself “Oikwasfuk“, depicting the Virgin Mary being impaled by a flying-v guitar while five zombies eat her alive. You know, fun for the whole family! Bring the kids!

Yes, when the band wrote us, they cleverly used that piece of art to hook our attention, like fish caught in a gill net — that, and the band’s viciously cool one-word name. But that was only the beginning. The art and the name only lured us into the music, which in this case (to persist with our commercial fishery metaphor) works like a processing plant — removing the head, guts, and pin bones and then blast-freezing the carcass.

The band is Carcinogen, the album is a five-song EP called Unholy Aggression, and the very satisfying sound is death/thrash of the old school. (more after the jump . . .) Continue reading »

Sep 022010
 

Sometimes you can admire the idea of beauty from afar, even when you have no chance of experiencing it for yourself. It’s a melancholy kind of fantasy. It’s sublime, and it’s wistful at the same time. It makes you wish, for a moment and maybe longer, that you were someone else, in some different place.

We had that moment today. We have that moment almost every day, prompted by one thing or another. But it passes, as it must, because life must go on, and no good comes from pining too long over what might have been.

Today’s moment was provoked by finding out, finally, about where the following metal tour would be stopping in North America. It will be called THE DECIBEL DEFIANCE TOUR 2010. It is a thing of immense and terrible beauty. It features these bands:

SUFFOCATION
THE FACELESS
THROUGH THE EYES OF THE DEAD
DECREPIT BIRTH
FLESHGOD APOCALYPSE

The thought of this tour transports us into flights of ecstasy, as if soaring high above the earth with all of creation spread before us for the taking. In other words, for our tastes, it’s the most fucking skull-rattling, ass-kicking, intestinally perforating tour of the fall.

It’s also a very melancholy discovery. For all the flights of mental fancy, it brings us very low. At the end, it’s an excrutiacingly suck-tastic discovery. Can you guess why?  (more whining after the jump, of course . . .) Continue reading »

Mar 272010
 

Maybe there’s a band out in the world someplace that sounds like Italy’s Fleshgod Apocalypse — but if so, we haven’t heard it yet. Their 2009 debut album, Oracles, combined blowtorch death metal with (gulp!) classical music.

Guess we’d better define our terms here. By “blowtorch death metal,” we’re trying to convey the almost overpowering onslaught produced by rapid, atomizing, chainsaw guitar rhythms, blazingly fast drum noise (heavy on the blast beats), shred-tastic ax solos, and staccato, brutal-death-metal gutturals — all mixed together in a fuzz-heavy production. You know, like a blowtorch to the face. You could search high and low and not find more pulverizing sounds that could still be called music with a straight face.

If that’s all Fleshgod Apocalypse had given us in Oracles, it would have been enough –because the blowtorch metal was ass-kickingly over the top. But they didn’t stop there. They added to the mix some massive grooves and unexpected segments of majestic melody.

But they didn’t stop with that either. Sprinkled here and there (briefly) on Oracles were intros, outros, and interludes of classical or medieval music — pianos and strings, orchestral passages, monastic chants. Talk about a mind-bending concept — one moment the music is tearing along like the back end of a jet engine and in the next moment you’re hearing a Viennese waltz. We know that sounds kinda ridiculous, but believe us — it works.  (read on after the jump . . . and listen to a new track . . .) Continue reading »

Mar 252010
 

This is turning into Invisible-Oranges-link-week. A couple days ago we wrote here about a post at that site on the “Top 10 Most Overused Words in Metal Journalism.” The list unfortunately included some of our favorite words, including the word “fucking.” So, of course we had to litter our own post with F-bombs, just to make ourselves feel better. And that drew some pretty goddamned funny comments, which also made liberal use of F-words, including an observation from Cosmo Lee that we were all starting to sound like Frank Mullen.

At the same time as I stumbled across that Top 10 post at Invisible Oranges, I also read Cosmo Lee’s review (here) of a new album by a German black-metal band called Imperium Dekadenz. That beautiful review really grabbed me. As we try to do at our site, Cosmo Lee included a track from the album to stream — and the song just floored me. So without delay I bought the album the quickest way I knew how (iTunes) and listened to the whole thing — and I was even more floored.

I thought, there’s a chance some of our readers at NCS might not also follow Invisible Oranges, and this is music I really need to share. So my original plan was just to tell you the album is awesome, point you to Cosmo Lee’s review, make a song available, and quit while I was ahead. That would have been the smart thing to do, because seriously, I didn’t think there was a snowball’s chance in hell I could improve on Cosmo’s review.

But I’m not so smart. It occurred to me that although I couldn’t improve on that review, I could translate it into the kind of verbiage we tend to use here at NCS. You know, language written by and for mentally impaired people. And then I thought, what the fuck, I might as well go all-in and channel Frank Mullen while doing that!  So here goes:  (read on after the jump, if you’re mentally impaired . . .) Continue reading »

Mar 152010
 

Those brutal tech-death godfathers from Suffocation are playing in Europe now, and some HD video of their show last Friday in Utrecht, Holland, has become available. The audio is decent, and the video — well, it’s HD and it’s great.

You get clear shots of Terrance Hobbs shredding with dreds flying, Derek Boyer playing his bass like he usually does (i.e., with the instrument almost vertical), a few glimpses in the background of Mike Smith hammering the shit out of the kit, Guy Marchais calmly riffing away on the right, and of course Frank the Tank with tongue wagging and hands tomahawk-chopping as he blasts out those brutal vocals.

If you’re a Suffo-addict like we are, this is fun to watch. All that’s missing is video of action in the pit — but we can imagine the mayhem.  Enjoy these videos of “Thrones of Bones” and (after the jump) “Suspended in Tribulation” and “Breeding the Spawn.”

Thrones of Bones

(two more videos after the jump . . .) Continue reading »

Feb 282010
 

What have we here? It’s another Par Olofsson album cover! And just a few days after we showcased some other album covers by this prolific Swedish artist (here).

Wonder what’s inside? Hey, whaddaya know!  It’s a CD!  Wonder what it sounds like? (putting CD in music player . . . and listening)

Fuck yeah! (pumping fist in air) This is some sick shit!

(Strike that. This is supposed to be a high-brow extreme metal site, rendering sophisticated musical analysis in literate journalistic prose. Start over.)

The band is called Arkaik. They’re from beautiful Riverside County, California. They’ve shared the stage with the likes of Suffocation, Necrophagist, Dying Fetus, and Decrepit Birth. Their just-released debut album on Unique Leader Records is called Reflections Within Dissonance. And what’s the music like? Fuck yeah! This is some sick shit!

Damn. We gotta do better than that. Let’s use some adjectives besides “sick.” How about: insanely fast, technical, pummeling, rhythmically dynamic. How about some metaphors? Like standing right next to a jet turbine already spooled up to a full roar while an assault squad is blasting at your head with M4s on full auto — in a hurricane. (read more after the jump . . .) Continue reading »

Feb 142010
 

If you’re a follower of Cameron Argon (a/k/a “Big Chocolate”), Disfiguring the Goddess, and/or Burning the Masses, we’ve got treats in store for you today: breaking news updates, a mini-interview with Big C that includes some info we haven’t seen anywhere else, some hot-shit music to stream, and a cool tour poster. If none of these names means anything to you, but you like innovative, brain-cleaving death metal, then stay the fuck with us and expand your musical horizons!

THE BACKSTORY: Back in 2008, we stumbled across a 6-song DIY EP (still available on iTunes) by a “band” called Disfiguring the Goddess. It immediately grabbed us by the throat and wouldn’t let go — a raw, distorted vortex of brutal, slamming death metal marked by some truly distinctive vocals. We hunted around for more info and discovered that DTG was pretty much the alter ego of a young dude named Cameron Argon.

Since the EP, Argon has generated a handful of additional DTG songs with ex-Misericordiam blaster Phil Cancilla on drums and Joe Broodle on guitar. (We wrote about DTG‘s most recent output back in early December in a post you can find here.) All the music is absolutely cool shit, and it has spawned a cult following based largely on the vocal work of Cam Argon, who the inimitable Sergeant D over at Metal Inquisition has called “quite arguably the best guttural death metal vocalist on the planet.”

Lots of DTG‘s devoted followers have wondered when the band would actually release an album, and others have wondered if Argon would hook up with some other, more established band in need of a vocalist. That speculation was fueled at one point by Argon’s decision to join the Russian brutal slam metal band Abominable Putridity for some live shows in Moscow last summer, and he appears to have recorded one-off vocals for some other bands, including this one for unsigned Indiana blasters Dissever the Tyrant. But Argon has been in no hurry and seems just as dedicated to finishing his education as expanding his death metal horizons. (continue reading after the jump . . .) Continue reading »

Jan 272010
 

Late last year we wrote about the storm surge of new metal over the last few years. Even if you confine yourselves to bands with labels, it’s enough to swamp the average listener. And if you also consider extreme metal being churned out by unsigned bands, it’s impossible to hear everything that might actually appeal to you, even if you’re devoted to only one or two sub-genres and don’t care about the rest.

Given this state of affairs, one of the most useful things a site like this one can do is help you sift through the floodwaters and try to point out the hidden treasures that might actually change your life (or at least your week). And here at NCS, we try to give equal coverage to extreme metal from other lands.

This week we’ve been on sort of a mini world tour of metal. On Monday, we visited Greece and wrote about Gus Drax. The next day we hopped the Atlantic to visit Costa Rica and Sight of Emptiness. And today we’re jumping back across the ocean to Italy and Vomit the Soul.

The first two bands we visited this week produce metal that’s infused with melody. But if melody is what you’re after, you should continue your web-surfing right now, because you won’t find even a whisper of it in what Vomit the Soul blasts out. But if every now and then you like to have your brains scrambled by a visceral sonic assault that completely removes you from what’s going on around and within you, this is a band you should definitely check out.  (more after the jump . . .) Continue reading »

Jan 192010
 

Every now and then we’ve told you about a word or phrase we’ve stumbled upon that has nothing to do with metal, but sounds exactly like it oughta be the name of an extreme metal band. We’ve stuck those posts under the category of “Band Name Fodder.” Now we’ve stumbled across something new: words and phrases that have nothing to do with metal but sound like they could be the names of brutal songs.

You know the kind of song titles we’re talking about — the kind that at first blush (and sometimes second and third blushes) make no sense, but just sound really evil, uncompromising, and vicious.  Songs like:

“Carrion Sculpted Entity” (Cannibal Corpse), “Megacosm of the Aquaphobics” (Cephalic Carnage), “Postmortal Coprophagia” (Devourment), “Prosthetic Erection” (Annotations of An Autopsy), “Diaboloical Submergence of Rebirth” (Goatwhore), “Intestinal Putrefaction” (Abominable Putridity), “Pestiferous Subterfuge” (Aborted), “Gestation of Malevolence” (Abysmal Torment), “Cyclopian Scape” (High On Fire), “Ceremonian Disembowelment” (Impetuous Ritual), “Gestated Human Slurry” (Infected Disarray), “Damnation Pentastrike” (Lightning Swords of Death), “Into the Qliphot of Golachab” (Malfeitor), “Fermented Offal Discharge” (Necrophagist), “Postmortem Dissection” (The Pathology), “Cataclysmic Purification” (Suffocation), “Contemporary Perception Narcotics” (Trigger the Bloodshed), “Cranial Media Parasite” (Magrudergrind). And so on.

Well, just in case the well runs dry for bands like these (or they lose their thesaurus), we’ve found a gold mine of source material. (see what we’ve discovered after the jump . . .) Continue reading »

Jan 132010
 

It’s 2010, and last night two of your NCS Co-Authors made it to our first metal show of the new year as the “Bound By the Road Tour” barreled its way through Seattle. We emerged unscathed (barely) with a few decent photos, which we hope to put up a bit later today, and this report.  [Editor’s note: we’ve now got photos from NCS Author Alexis up in this post for all the bands but DevilDriver.]

In a nutshell, experiencing a night with the likes of Thy Will Be Done, Goatwhore, Suffocation, and DevilDriver was the sonic equivalent of being suspended by your ankles over a blast furnace. It was an intense, blistering, full-bore onslaught by four bands who are superb live musicians and know how to whip a crowd into a frenzy.

And for the cherry on top, we got to see three of the most charismatic frontmen in the business on one bill: Dez Fafara, Frank Mullen, and Ben Falgoust (and J. Costa is no slouch either). What a truly ass-kicking way to start a new year of live metal in the Emerald City! Now, for a few details about each band’s performance (after the jump). Continue reading »