Jul 092023
 

Over the last few days, in between other things, I wandered down an underground musical path that took some very unexpected turns. Rather than focus on names that might be well-known, I focused instead on obscurity. I did recognize two names whose new music I explored (they begin and end today’s collection), but most I had never before.

In each instance, something about the music grabbed me, even when in some instances it initially seemed to pose a rude challenge to my ear drums. I hope you’ll find it an interesting musical odyssey, as I did, straight through to the fascinating surprise that’s waiting at the end. I don’t expect everything will appeal to everyone, but what does?

SZNUR (Poland)

As noted, I’m beginning with a name that already resonated well with me thanks to my discovery of the band’s third album, Dom Człowieka, soon after its release by Godz Ov War Productions about two years ago (which I enthusiastically reviewed here). Now Sznur‘s fourth album Ludzina is on the way from the same Godz Ov War. I haven’t yet heard all of it, but the two tracks currently streaming are high-octane fuel for the reptile brain. Continue reading »

Apr 182021
 

 

I miscalculated. I spent time over the last couple of days listening to music and developing a big list of releases to include in this column. I knew that my spouse and I and some friends were supposed to drive over to the Olympic Peninsula of Washington today, but what I didn’t realize was how early the trip was supposed to begin — too early to do all the writing I had planned. And I went to a baseball game last night, so couldn’t get a head-start.

Due to this miscalculation, I’ve had to cut back on the amount of music (though it’s still a lot), but also to shrink the volume of words. No idea when or if I’ll get to everything else that was originally on my mental drawing board, but I hope you’ll enjoy what’s here.

FLAMMENKVLT (Austria)

The following video is intense and moving. It depicts bruised, hollow-eyed, and frantic women who have been beaten by men — hospitalized, driven to the brink of suicide, and worse — as well the suggestion of girls subjected to similar abuse. Intertwined with that are feverish montages of other imagery, both frightening and hallucinatory. The band’s rage over the subject matter comes through most powerfully in the vocals, but not only there. Continue reading »