May 082020
 

 

I’m hurrying to finish a couple of other NCS posts scheduled for today, but wanted to begin this Friday with something to occupy you while I do that. I’ve picked three new songs that I noticed over the last 12 hours, one of which comes with an intriguing video.

TABLEAU MORT

Within the last two hours London-based Tableau Mort (pictured above) released a professionally filmed video for “Ignorance (Tapestry Sewn Pt. II)“, which premiered at Antichrist Magazine. It follows their very impressive 2019 debut album Stigma Book 1: Mark of Delusion (released by Loud Rage Music), which drew symbolic and thematic influences from Romanian Orthodox Christianity, and embroidered their core framework of black metal with other stylistic ingredients, including Orthodox choral chants. Continue reading »

Jun 242019
 

 

Here’s the second Part of the SHADES OF BLACK column I started yesterday. I scurried like a hamster on a wheel to get this finished yesterday, but fell off into a pile of sawdust (or whatever people line their hamster cages with).  I think it’s fair to say that the following selections are defined by musical eclecticism — but you be the judge of that.

DAMIM

I’m beginning this second installment with a new discovery (at least for me), a London-based group named Damim, led by vocalist/guitarist Nathanael Underwood (ex-Akercocke). Damim have a new album named A Fine Game of Nil (excellent title) set for release on June 28th by Apocalyptic Witchcraft Recordings and Czar of Crickets Productions, and what you’ll find below is a track from the album called “Rising of the Light“. Continue reading »

Sep 192018
 

 

Here’s a mid-week collection of new songs that have struck a chord in my listening over the last day or two, and have the added benefit of presenting a range of styles and moods, increasing the odds that you’ll find something to like as well.

1914

1914 are based in Lviv, Ukraine. Their debut album Eschatology of War was released at the end of 2015 by Archaic Sound. As the band’s name suggests, they have devoted themselves to exploring the horrors of World War I in their music. That’s rare subject matter in metal, and for that reason alone I decided to explore that first album, and came away mightily impressed by its blending of samples from period songs and punishing hellfire, and by its agile balancing of musical elements from black, death, doom, and even progressive metal. I wrote at the time: Continue reading »