Sep 122024
 

(Today our man Andy Synn steps up to tackle one of the most difficult reviews he’s ever written)

How exactly, let me ask you, does one even begin to talk about – let alone judge – an album like this?

Let me be clear, the untimely demise of the band’s infamous (and seemingly irreplaceable) frontman Trevor Strnad hit a lot of us here at NCS very hard – hell, I was the one who volunteered to pen a few words in tribute after his passing – but it obviously hit his bandmates harder than almost anyone, and I don’t think anyone would have blamed them if they’d chosen to hang up their spurs in the aftermath.

But, as it turns out, giving up wasn’t in the cards for these Detroit death-dealers, who are set to solidify their return with the release of their tenth album – the first one to feature long-time guitarist (and last-remaining original member) Brian Eschbach taking over as the group’s vocalist, as well as the recording debut of the newly-formed guitar-duo of Brandon Ellis and the returning Ryan Knight – in just over two weeks from now.

With all that in mind then, perhaps the best thing I can do with this review is simply set your expectations appropriately, as while many (if not most) of us may have been hoping that the band’s big comeback would be an unqualified success and an unparalleled triumph over tragedy… the truth is that Servitude is not that.

Or maybe it is. Maybe I’m looking at it wrong. Maybe its very existence – it’s still a good album, just not a great one, after all – is enough of a triumph on its own… especially considering that it almost didn’t happen at all!

Continue reading »

Jun 152024
 

For this currently foggy-headed writer yesterday was a hell of a day and last night was a hell of a night. There was food grilled near hot coals, copious drinking, fire, and conversation far into the night among people who could barely understand each other. Deep underground with the oxygen cut off, a bigger bed of hot coals started cooking some things; today we will reconvene to discover the results.

Depending on those results we may eat grass and go our separate ways early, or it may be another late night. But yeah, it’ll probably be a late night regardless; there’s still plenty of beer, wine, and dry wood on hand.

And that’s an explanation for why this usual Saturday roundup is appearing so late and is so short, and a preview that Sunday’s black metal roundup may befall the same fate.

Continue reading »

May 122022
 

Hey everyone, Andy Synn here.

I’m sure, by now, you’ve all seen/heard the awful news about Trevor Strnad.

And while I’m not usually one for hero worship, nor am I a fan of overly-performative emotional outbursts, I felt like I needed to write and share a few things to acknowledge his passing.

Because, whether or not you were a fan of his band, he was a huge part of our scene and touched a lot of lives in his all too brief time on this earth. And all of us here at NCS are saddened by his loss.

Continue reading »

Apr 072020
 

 

(This is Andy Synn‘s review of the new album by The Black Dahlia Murder, due for release on April 17th by Metal Blade Records.)

If I were forced to select one word to describe The Black Dahlia Murder’s particular brand of high-stakes, high-adrenaline Death Metal that word would undoubtedly be… anthemic.

After all, one of the band’s defining features has always been their ability to conjure up a seemingly endless series of contagious, crowd-friendly choruses and red-hot hooks to balance out their molten metallic mayhem, with much of this burden often falling to lunatic-larynxed frontman Trevor Strnad, whose distinctive delivery – part predatory preacher, part Death Metal drill sergeant, part crazed carnival barker – is an inimitable part of the group’s sound.

The band’s last album, 2017’s superb Nightbringers, in many ways felt like the apotheosis of this, with songs such as “Kings of the Nightworld” and the titanic title track featuring some of the catchiest, most bombastic material the group have ever written.

The thing is… once you’ve peaked like that, there’s almost nowhere to go but down. So the big question now is whether or not Verminous is going to be a victim of the band’s success, or whether the gang have found a way to escape the curse of diminishing returns… Continue reading »

Sep 282017
 

 

(Andy Synn reviews the new album by The Black Dahlia Murder in advance of its October 6 release by Metal Blade Records.)

It’s extremely fitting that the striking, crimson-hued cover art that you see above has been provided by the legendary Kristian Wåhlin, aka Necrolord, who last worked with The Black Dahlia Murder on the cover for their career-defining Nocturnal, as Nightbringers is without a doubt the band’s best release since their 2007 breakthrough.

That’s not to disparage or denigrate the albums the band have put out in the intervening years (Deflorate in particular remains a personal favourite of mine), but the harsh, bitter, ugly truth of the matter is that, try as they might, the Michigan quintet have never quite managed to fully replicate that strange mix of power and precision, heaviness and hooks, menace and melody, that came together on their third record.

But album number eight definitely comes very, very close. Continue reading »

Aug 232017
 

 

The unwelcome intrusion of non-blog life has forced me to truncate my usual verbose reactions to the music I’ve selected in this mid-week round-up (cue the weeping and the gnashing of teeth), but I wanted to be prompt in spreading the word about the following items, all of which appeared either yesterday or this morning.

I picked these five new songs in part because they provide a quite varied array of what metal in the modern era has to offer.

BELL WITCH

The new Bell Witch album, Mirror Reaper, will be released by Profound Lore on October 20, with an album cover by Mariusz Lewandowski that we won’t soon forget. The album consists of one continuous 83-minute piece that unfolds as a single track. Continue reading »

Jul 272017
 

 

Because this is our first round-up of news and new music this week I’m including some items that you may have already noticed elsewhere. But to increase the chances of surprising you with a new discovery, I’ve also included a few excellent new songs from more obscure names. I’ve also chosen them from among a very big list of new releases with the aim of providing diversity of sound. Before we get to the music, I have a couple of news items to share.

THE BLACK DAHLIA MURDER

Two days ago The Black Dahlia Murder posted that photo at the top of this post on their Facebook page, with no comment. It shows the hand of the esteemed Kristian Wåhlin, aka Necrolord, nearing completion of a very eye-catching piece of red artwork.

Putting two and two together, we can deduce that this will become the cover art for a new album by The Black Dahlia Murder, the existence of which was disclosed in June. In addition, more recent disclosures indicate that the album will be called Nightbringers and will be released on October 6. Continue reading »

Aug 292016
 

Aenaon-Hypnosophy

 

Happy Monday! I mean that sincerely, despite the usual depressive aspects of the day, because this Monday brought us three exciting new song premieres that I discovered soon after caffeinating myself strongly enough to stun a bull, plus an announcement of an exciting U.S. tour. And here’s what I found:

AENAON

As our regular readers are well aware, we have become ardent followers of the Greek band Aenaon since discovering the wonders of their 2014 album Extance, which made no fewer than four different year-end lists published at our site, as well as a host of our reader’s lists. It was also the source of a song (“Grau Diva”) that I included in my list of 2014’s Most Infectious Extreme Metal Songs. You may then be able to imagine how eagerly we have been awaiting the band’s new album, Hypnosophy. Continue reading »

Jan 202016
 

Black Dahlia Murder European Tour 2016

 

(Andy Synn reviews the performances of The Black Dahlia Murder and Benighted in Nottingham, England, on January 17, 2016.)

Sunday night did not quite go as planned for me this week. As I’m still a bit under the weather after my recent travels and travails in Central America, my original intention was just to have a quiet night in to rest and recharge my batteries. However, out of the blue I received an invite from my good friend Gary (of Bite Radius Designs fame) to come out and see his boys in Benighted supporting The Black Dahlia Murder. Originally I was going to demur, but after I received a message saying “you’re on the guest list”… well, it would have been rude not to go!

To be fair, although I’m a bigger fan of TBDM than I am of Benighted, I definitely enjoy both bands a hell of a lot and, in hindsight, I would probably have severely regretted not going if I’d wussed out and stayed home.

So this review goes out to Gary and Julien for getting me off my ass and out to the show. Much appreciated guys! Continue reading »

Oct 022015
 

The Black Dahlia Murder 2015

 

(Andy Synn returns to an irregular series in which he identifies favorite things that come in fives.)

Earlier today I finally found time to finish off my monthly helping of reviews for London Metal Monthly, the free magazine/webzine for which I moonlight when I’m not terrorizing the NCS readership with my overly-opinionated and utterly scintillating wordsmanship.

It’s a very different way of working than we have here at NCS Towers, with (relatively) stricter deadlines and (much) stricter word counts. In fact it’s a real struggle sometimes to say something meaningful about an album in only 140 words. Often, in-depth detail has to take second place to a focussed discussion of overall quality. If I’m very lucky I can find room to give an impression of the overarching themes and vibe of the album, but generally if I want to say anything particularly meaningful it has to be short, sweet, and succinct.

One of the albums on my slate this time around was Abysmal, the seventh slab of Melodic Death Metal might from our much beloved friends in The Black Dahlia Murder, and since I didn’t really have time to go as deep into the album as I might have liked, I’ve been inspired to put together this little list pulling together some of my favourite “deep cuts” from the band’s post-Nocturnal era.

So… shall we begin? Continue reading »