(Andy Synn traverses the dreamlands in search of the meaning and measure of Kadath)
My history with the musical cult known as The Great Old Ones is a long and storied one indeed.
Way back in 2014 I selected their stunning second album (and still their finest hour, in my opinion) Tekeli-li as one of the best albums of the year, and not long after that I was enraptured by the band’s headlining performance at The Black Heart in London (a show which, despite them moving on to bigger stages, remains their most iconic performance in my mind).
In the years since then I have written about the band multiple times, offering my thoughts on both their live shows and their subsequent recorded output – 2017’s bigger and more bombastic EOD: A Tale of Dark Legacy and 2019’s more furious and ferocious Cosmicism – and remained a faithful acolyte through it all.
And yet there’s always been a part of me wondering, and worrying, if they’d ever be able to recapture that same sense of magic – that immersive, otherworldly atmosphere – which permeated their early work(s).
But… perhaps the stars have finally aligned once more?