Jul 122023
 

(If you’re a death metal fan and you haven’t yet heard The Grifted‘s new album, released in April by Personal Records, you have some excellent listening ahead of you, and you’ll probably be even more interested after you read Comrade Aleks‘ excellent interview with guitarist Stefan Lagergren.)

NCS’ constant followers will remember The Grifted‘s track premiere in March (here). This absolutely classic sounding death metal band from Stockholm drew our attention not only with the killer single “The Maggots Feast” and their debut album Doomsday & Salvation itself, but also with heir shockingly civilized image, very organic and impressive.

The Grifted was founded in 2020 technically, but it’s the renamed version of the Mr. Death collective which used to record two proper full-lengths works and two EPs in a period from 2007 to 2020. Moreover, Juck Thullberg (bass) and Stefan Lagergren (guitars) were founders of the pre-Tiamat band Treblinka and took part in recording of Tiamat’s debut Sumerian Cry (1990).

And it’s right to note what their colleagues Jonas Ohlsson (drums), Jocke Lindström (vocals), and Staffan Skoglund (guitars) certainly know a few things about how to turn everything upside down and unleash the sheer death metal madness upon our doomed world.

This interview should have been done earlier, and I kept it on my mind for almost four months, so I invite you to join our conversation with Stefan Lagergren with a sense of relief and the feeling that the right thing is done. (And thanks to Nathan Birk, Suspicious Activities PR, for organizing this interview.) Continue reading »

Mar 072023
 

I fucking love the promotional photos of The Grifted. I admit I’m influenced by the fact that they look closer to my generation than most current death metal bands, but it’s more than that. It’s that they are making a statement.

Surely the suit jackets, the vest, the shorn heads, and the setting are no accident. The gaze at the watch suggests they’re about to be late to some kind of professional meeting (and not with a tour promoter). It seems a way of saying (with a sense of humor), we have other lives, we’re not pandering to expectations but are more interested in confounding them, we know who we are even if you might not guess… and we’re quite happy to let our music speak for itself.

Well, you might not guess who they are, but once you know their connected histories it will come as no surprise that The Grifted‘s debut album Doomsday & Salvation is so damned good. Continue reading »

Feb 082023
 

As you can see, I was able to finish Part 2 of a mid-week roundup of new songs and videos that began here. Finish it I did, and I’m pretty happy with the musical twists and turns it will take you on, but I’ve still had to hurry a bit more than I’d like to get it wrapped up. Please leave typo corrections in the Comments.

ENTROPIA (Poland)

I’ve already written here about “Retox“, the first single from Entropia’s new album Total, and now there’s another one out in the world. This one is named “Final“.

Prepare to be seduced by intriguingly warped melodies that are both glittering and dissonant, a mercurial but bone-vibrating bass, larynx-lacerating screams, and whip-crack drums. The mood also grows darker and more grim, as well as more nerve-racking and unsettling, but a feeling of fire-borne resilience fights through. Another fascinating track from an always-adventuruous band. Continue reading »