Aug 272014
 


Eistnaflug revelers.

(Gemma Alexander is a Seattle-based writer and NCS fan who visited Iceland in the fall of 2012 during the Iceland Airwaves festival and was generous enough to send us interviews with such bands as AngistBeneathKontinuumSólstafirGone Postal, and Skálmöld. In July of this year she returned to Iceland for the Eistnaflug metal and rock festival (“Eistnaflug” being Icelandic for “flying testicles”), and we are once again the beneficiary of her writing. Today we present Part 2 of a three-part report on the festival, illustrated with Gemma’s own photos. Visit her own excellent blog here and check out more of her reporting on the festival at KEXP’s web site. Part 1 of her report for us is here and Part 2 is here.)

 

For the few of us who bothered with the hours before – or even slightly after – noon on Saturday, the desperate drunkenness of Friday night had given way to a comfortable morning buzz. Fewer than two dozen made it to the first show of the day at 1 p.m., AMFJ.

Which was too bad. Aðalstein Motherfucking Jörundsson is one barefoot guy at a little table in the middle of the floor. There wasn’t much to see, but there was a lot to hear. The set started out doomy and moved into a rave-worthy beat supporting vocals distorted beyond recognition. It was some killer industrial noise.

https://amfj1.bandcamp.com/ Continue reading »

Mar 142014
 

(Andy Synn provides this report on the recently completed UK tour by The Monolith Deathcult, Talanas, and Andy’s band Beyond Grace.)

So I’ve been harangued into putting together a short (relatively) report of the happenings and happenstances of our tour last month. Frankly, I’m not entirely sure where to start as I’m writing this now, other than to say that – despite the inevitable stresses that came about – I wish I was still on tour now. Playing a show every night, to new people, in a new place… well, that 30 mins onstage you get makes all the rest of it worthwhile.

DAY 01 – BRIGHTON, STICKY MIKE’S FROG BAR

My first piece of advice for any of you going on tour – try to get a good night’s sleep the night before you leave. Definitely don’t stay up late sending out digital promos and organising the launch of your new EP so that you only have time to get in 3 hours before having to go collect the van, drive it back to load your backline, then drive down to London (and then on to Brighton). Yeah, don’t do that. Continue reading »

Jan 312014
 

We proudly bring you the 16th Part of our list of the year’s most infectious extreme metal songs. For more details about what this list is all about and how it was compiled, read the introductory post via this link. To see the selections that preceded the two I’m announcing today, click here.

In different ways, both bands we’re featuring today have their tongues in their cheeks — but their music also has the capability to tear yours out and use it for a bookmark.

THE MONOLITH DEATHCULT

I suppose our adoration for TMDC knows no bounds — or so one might think from the volume of words we’ve spilled about their new album, Tetragrammaton. For example, these words by our reviewer Mr. Synn:

“Their music is dark, oppressive, and brutal – but also relentlessly energetic, knowingly pompous, and impressively self-aware…. Right from the start you can tell that this is the sequel to the superfluously awesome Triumvirate. Yet it’s more than just a mere carbon copy or continuation. Everything that album brought to the table is still there – the ostentatious synths, the audacious symphonic pomposity, the back-breaking death metal brutality, the darkly intelligent lyrical themes and vicious vocal hooks – yet twisted and reworked just so to provide a new experience, a newly refined recipe for disaster….  Continue reading »

Dec 122013
 

The Monolith Deathcult, with whom all loyal NCS readers are amply familiar because we talk about them so much our lips are chapped, are offering a limited-edition box set that isn’t really a box set because it has no box, but does contain these items: Tetragrammaton (2013) 2-LP in 180 grams clear vinyl in gatefold design; Trivmvirate (2008) 2-LP in 180 grams clear vinyl in gatefold design; Obliteration of the Despised Promo (2002 – sold out!) LP in 180 grams clear vinyl; a heavy duty carrying bag for carrying items that need carrying; and a limited “crest” design T-shirt.

But lest you think we’ve become shills for band mercy, the real reason I’m posting about this isn’t the merch (though I’m sure TMDC would appreciate your buying all this shit here), it’s the TMDC product announcement. It’s good. It’s funny. So I thought I’d share it. Because I can:

Hand-pressed in a sweat shop by forced child labour. Purchasing this item ensures that one community in an emerging economy will live in a pit of toxic sludge and abject poverty for at least 15 years. Made from 100% unrecycled material from unrenewable sources. Only slighly lethal to aquatic mammals. Do not use as a toy. Observe proper safety instructions when handling. Keep out of reach of children. Use only in a well-ventilated area. Exposure to this box-but-hey-it’s-not-a-box-box set may cause joint pain, nausea, head-ache, or shortness of breath. You may also experience muscle aches, rapid heartbeat, and ringing in the cars. If you feel faint, call your doctor. Continue reading »

Nov 112013
 

Hope you had a good weekend. And if you didn’t, hope you have a good week. And if you don’t, I apologize for the feebleness of my hopes. At least your life will be enriched by seeing and hearing these things I saw and heard over the weekend (and yes, I had a good weekend, thank you).

HEXIS

When last we wrote about this Danish band it was during 2012 in a review of their three-way split with As We Draw and Euglena. They’ve now recorded a new album entitled Abalam which is projected for release on January 11, 2014. Over the weekend I saw a music video released earlier this month for one of the new songs — “Tenebris” — which was made by London filmmaker Craig Murray. Murray’s video is an homage to a certain unforgettable scene in William Friedkin’s The Exorcist, with a bit of a twist in its finale.

As for the music, it’s a storm of razors, thunder, and vocal lightning, a ravaging assault of fused black metal and hardcore. Continue reading »

Jun 242013
 

If you know of a death metal band other than The Monolith Deathcult who have used the Scottish folk song “Donald, where’s your trousers?” as the intro music for a live set, please speak up. I can’t imagine anyone else doing it. But that’s what TMDC did at the beginning of their performance on June 22, 2013, at the DOKK’EM OPEN AIR festival in The Netherlands.

Of course, they didn’t use the funny, up-tempo version of the song recorded by Andy Stewart. They used the slow, creepy version sung by machine intelligences in an episode of Terminator: The Sarah Connor Chronicles. As expected, the voice of Optimus Prime makes a later appearance as well.

But as interesting (and fitting) as these oddities were, the stars of the show were THE 6TH MOST POPVLAR AND ALMOST AWARD-WINNING SVPREME AVANTGARDE DEATH METAL BAND FROM KAMPEN, THE NETHERLANDS. And man, did they crush. How do I know? Because TMDC have uploaded a quality video of the entire set to YouTube. Continue reading »

Jun 042013
 

(Andy Synn wrote the following essay.  However, I picked the image above, just so you don’t go believing that Andy is proclaiming his own wisdom.)

So if you’ve been following the site for a while you’ll hopefully have gotten some sense of the personalities of The Big Five ™ involved in the day to day running of things. You’ll probably know a bit about our general preferences, our particular style of writing, etc.

And if you know me, you’ll know that I’m always coming up with ideas for new ongoing columns. Some of them stick around pretty well (The Synn Report being the obvious one here) and some of them fall by the wayside.

What I’m going to try and do with this one is simply produce short/semi-short pieces of my musings on what it means to review and write about metal, the good parts, the bad parts, etc… basically just a series of random observations written up as inspiration comes to me. No real order or agenda. It just seems like it might be interesting (to some people anyway) to get an insight into my/our process when writing for the blog.

So, without further ado, let me present to you part 1 of ‘The Art Of The Review’: Continue reading »

May 222013
 

(As the title says, this is an interview with Michiel Dekker and Robin Kok of The Monolith Deathcult. I feel sure they are in this photo somewhere. I also feel sure you will thoroughly enjoy this interview. Speaking for myself, I laughed, I cried, I experienced the whole range of human emotions. And that was just while I was writing the questions. If somehow you don’t know about TMDC’s new album Tetragrammaton, read Andy Synn’s review here. The excellent photos accompanying the interview were taken by Raymond Groenink.)

Thanks for taking these questions.  Not that you have anything better to do, but I’m trying to be polite.  Is it working?

Robin: About as polite as an Anal Cunt song.

 

I’ll count that as a “Yes”. I was told you have a new album that’s now out.  Is this true?  I’d just like a little warning so I can make sure my bomb shelter is well-stocked and ready for occupancy.

Robin: I would like to officially state that whoever is spreading this misinformation, is spreading malicious truth.

 

Very well then.  I understand the new album is named Tetragrammaton.  I did some research, and it seems that “tetragrammaton” is the ancient Greek word that refers to the Hebrew theonym יהוה‎ (transliterated to the Latin letters YHWH), which is considered in Judaism to be a proper name of the God of Israel used in the Hebrew Bible.  Some people might think you’re putting on airs.  Why did you pick this as the name of the album?

Robin: Mainly so we could wallow in our own grandiose pseudo-intellectual wank and get interview questions that are marginally more interesting than asinine tripe such as  “could you please introduce the band to us” or “tell us about your new album” or “Thanks for taking these questions. Not that you have anything better to do, but I’m trying to be polite. Is it working?”. We picked this title for several reasons. 1) To keep in line with Trivmvirate (III = our third album), we needed a word that meant something to do with ‘four’ without actually being ‘four’. Tetra- means ‘four’ of course, so that’s that covered. The four letters could mean YHWH, but what they don’t tell you at bible study is that it really means TMDC. So no, we’re not putting on airs: we’re in full-on self-congratulatory mode!

Michiel: We also chose tetrAgrAmmAton as album title because of the triple A in it, to emphasize our major role in the music scene as we know it and because AAA stands for “PRIME” which is of course a reference to the narrator on this album. Continue reading »

May 022013
 

There is really no need for you to listen to Tetragrammaton before acquiring it. After all, we have been singing its praises for months, culminating in the full-fledged worship ceremony (also known as a “review“) presided over by the Rev. Andy Synn, and what right-thinking metalheads would require anything more than our word before spending their money? Speaking of which, we will be passing the alms plate at the end of this post, so please donate handsomely. Thank you.

Where was I?

Oh yeah, your not needing anything but our word to pick up Tetragrammaton. Well, in every flock there are wayward sheep who just will not do what they are told by their shepherd and insist on learning for themselves where the green pastures lie. For the wayward among you, therefore, we provide this link to Metal Sucks, where you may hear the entirety of Tetragrammaton in all its bombastic glory.

Here endeth the lesson. Please remember to leave your donation after the jump. Go in . . . NO PEACE!

Continue reading »

Apr 192013
 

(In this post Andy Synn reviews the new album by The Monolith Deathcult.)

I think what upsets a lot of people (and trust me, there are a lot of angry internet folk out there) is this perception that The Monolith Deathcult don’t take things seriously enough. After all, this is metal goddammit, it’s a serious business, there’s no place for irony here!

That perception is, of course, entirely wrong – but there is a kernel of truth at the centre of it.

For, like the very antithesis of Manowar, The Monolith Deathcult are exceptionally self-aware, and thrive on confronting the potential absurdity that haunts the Death Metal genre. Yet they’re a band who write songs about Nazi death-squads, jihadist extremism, African genocide… you can’t say these aren’t serious subjects! But TMDC understand that no matter how heavy, how dark it may go, no matter how much you try to dress it up, to disguise it, Death Metal can only ever approximate the barest slivers of the horrors that mankind perpetrates upon itself. Yet it’s also the only genre that really goes to these places. The two so often go hand in hand, yet are always so far apart.

Yet instead of running from it, instead of denying it, the band embrace this central contradiction wholeheartedly. Their music is dark, oppressive, and brutal – but also relentlessly energetic, knowingly pompous, and impressively self-aware. If Tetragrammaton shows us anything, it’s that The Monolith Deathcult understand one simple truth – “It’s a joke, it’s all a fuckin’ joke…” Continue reading »