Dec 282013
 

Between the time I’ve spent with family and friends over the holidays and pushing out the biggest year-end LISTMANIA series our site has ever published, I’ve been constricted in my ability to listen to new songs and forthcoming releases. But I keep lists. I keep lists like a hoarder of names. Never mind that actually making it through the lists is a frail hope, given that they keep growing, and growing, and growing…

But yesterday, I made a small dent in them and came away with four songs I’m really high on. Two of them are new tracks by bands whose past work I’ve admired, and two of them come from bands who I’d never heard before. Musically, the four songs have very little in common, other than the fact that they are all winners — and they all have darkness in their souls.

HAIL SPIRIT NOIR

Hail Spirit Noir’s first album, Pneuma (reviewed here), was unlike anything else I heard in 2012. It was exceedingly strange and yet brilliant, a splicing together of black metal, 60′s flower-power pop psychedelics, 70′s prog rock, 80′s New Wave dance beats, melodic doom, and even cool jazz. Each song was distinctively different from, though related to, the others, like cousins on a gnarled family tree. Continue reading »

Jan 282013
 

I know almost nothing about TrenchRot. They are from Philadelphia, and through a little web sleuthing I’ve figured out that their members include vocalist/guitarist Steve Jansson, who has split time between a speed metal band named Infiltrator and a sludge band named Grass. And beyond that, they’re a mystery. Except for their music; I do know about that.

Earlier this month TrenchRot posted a three-track demo named Dragged Down To Hell on Bandcamp. You can pay what you want to get it. The music is neither speed metal nor sludge, but death metal. TrenchRot’s beefy death metal stew has a strong old-school flavor but it doesn’t sound like re-packaged, cookie-cutter hero worship. The songs are distinctive, and galvanizing.

For the most part the three demo tracks blaze away at a thrashing pace, propelled by slaughtering riffs, squalling guitar leads, and a mix of percussive rhythms, all hell-bent on sonic demolition.  Where the pacing changes, it’s a drop down on all fours for a moaning, groaning death-doom crawl. Continue reading »