Jun 272017
 

 

On the final night of the Roadburn Festival in Tilburg this year, Norway’s Ulver used the main stage as the setting for an album release show, performing all the songs from their latest album The Assassination of Julius Caesar, though not necessarily in the order of the album presentation. Segmented by instrumental interludes and enhanced by a spectacular light show, it was a performance that by all accounts was a great success, even if it might have caught some onlookers by surprise if they hadn’t yet heard anything from this new record (which we reviewed here). On the other hand, for those familiar with Ulver’s musical odyssey, the experience of being surprised is no longer a surprise — it is to be expected.

Many other bands performed on Day Four of Roadburn, but the formidable concert photographer Levan TK — whose photo essays from the first three days we’ve posted previously (collected here) — concentrated on Ulver, talking with Kristoffer Rygg before the show and shooting a multitude of photos during the performance. For this final installment in his pictorial memorial to Roadburn 2017, we present Levan’s selection from those photos. If only we could have been there, too…. Continue reading »

Apr 102017
 

 

(Andy Synn prepared this review of the new album by Ulver, which is released today.)

Have you ever wondered if Ulver’s career thus far might in fact be some elaborate joke that none of the rest of us understands? That the band have been engaged in one grand, meta-musical experiment for the last 15-20 years, seeing just how far they can take things, and how far they can push their audience outside of their usual comfort zone?

After all, frontman Kristoffer Rygg has been known to go by the pseudonym “Trickster G”, and the band even had their own label called “Jester Records” at one point, so it’s not like they haven’t given us more than a few hints along the way.

So what if it really is all just a game, a long-con, and we’re just not able to see it?

Would it really matter? Continue reading »

Jan 252016
 

Ulver-ATGCLVLSSCAP

 

(Andy Synn reviews the new album by Norway’s Ulver.)

Every Ulver album is unique. But the manner in which the band set about creating their latest opus is certainly more unique than usual.

The music and sounds found on ATGCLVLSSCAP are, in essence, the results of a series of lengthy live improvisations and extemporisations that saw the band taking hold of whatever idea or inspiration would come to them, whether new or old (some of these tracks building from seeds sown in earlier material), and spinning it off into strange and uncharted territory, creating and conjuring new songs and new sounds almost on the fly.

And yet, that isn’t the whole story, as the fruits of these recordings were then taken back to be analysed, deconstructed, re-tracked and (in some cases) further reimagined in the confines of the band’s home-studio, with the final results managing to capture and maintain the sense of spontaneity and invention from those early live sessions whilst bolstering them with 1.21 gigawatts of pure sonic super-science! Continue reading »

Jan 292014
 

(In this post Andy Synn reviews the new collaborative album by SUNN O))) and ULVER.)

Three tracks may not seem like much, on the surface of things, yet, as with all things involving their creators, appearances can be deceiving.

You see, these aren’t just any three songs, they’re three songs that are the product of a secretive, clandestine collaboration between prophetic drone disciples Sunn O))) and esoteric audio alchemists Ulver.

The existence of this enviable (to some, still unbelievable) musical pairing only became apparent a few months ago, though its roots extend all the way back to a fabled and near mythical meeting in Oslo, August, 2008.

It was here that Sunn O))) locked themselves away at Ulver’s Crystal Canyon Studio, beginning one evening and ending the following dawn, to record three “live in improvisation” pieces… for what purpose as yet unknown.

Over the intervening years the Norwegian new-age nihilists (with periodic input from the irrepressible Stephen O’Malley, who would occasionally return to the scene of the initial crime to offer his inimitable assistance) have cut and pasted, chipped and painted, mixed and moulded these three compositions– adding, subtracting, metamorphosing and mutating – into the final forms we see here today. Continue reading »

Nov 182013
 

It’s been an action-packed day here at NCS, with some ass to mouth plus three album reviews and two song premieres — and I had two more reviews ready to go, but I’ve deferred those until tomorrow so that we don’t overdose you with awesomenessness. But at the risk of giving you a manic sugar high, I thought I’d round up some of the best things I saw and heard today. We’ll begin with a couple of announcements and end with a new song and a new video

SUNN O))) and ULVER

One week ago I reported about a cryptic announcement by Southern Lord that seemed to suggest a long-rumored collaboration between Sunn O))) and Ulver was about to become a consumable reality. Today we got a more informative announcement, i.e., that these two storied bands have indeed collaborated to create a three-track recording entitled Terrestrials — “a trio of movements which flow like magma beneath the Earth’s crust, sonically uninhibited, unpredictably cosmic, haunting and stirring, yet simultaneously ceremonious and beautiful.”

Southern Lord will be releasing Terrestrials in February 2014, the cover can be seen above, and we are promised that over the course of the next month details shall be dribbled out concerning “the story of how this alliance and recording came to be.” Continue reading »

Nov 112013
 

Hope you had a good weekend. And if you didn’t, hope you have a good week. And if you don’t, I apologize for the feebleness of my hopes. At least your life will be enriched by seeing and hearing these things I saw and heard over the weekend (and yes, I had a good weekend, thank you).

HEXIS

When last we wrote about this Danish band it was during 2012 in a review of their three-way split with As We Draw and Euglena. They’ve now recorded a new album entitled Abalam which is projected for release on January 11, 2014. Over the weekend I saw a music video released earlier this month for one of the new songs — “Tenebris” — which was made by London filmmaker Craig Murray. Murray’s video is an homage to a certain unforgettable scene in William Friedkin’s The Exorcist, with a bit of a twist in its finale.

As for the music, it’s a storm of razors, thunder, and vocal lightning, a ravaging assault of fused black metal and hardcore. Continue reading »

Sep 122013
 

(Andy Synn reviews the new DIY album by Norway’s Ulver, with an album stream at the end of the review.)

Sometimes you have to wonder… why do Ulver albums still get reviewed on metal blogs? After all, the band themselves haven’t had a shred of “metal” in them for a long time.

Still, there’s a connection – and it’s more than just nostalgia or a sense of obligation due to the band’s “seminal” early years.

I know quite a lot of metal fans who love the strange, otherworldy music that Ulver make, but don’t really have anything else even vaguely similar in their music collections.

I think, ultimately, what draws people in, and what makes them stay with the band through all their digressions and deviations, is the boundless (stubborn, even) sense of artistic integrity they display. From poppy exuberance to dark psychedelia, they are a band who embrace, and revel in, contradiction. Each of their albums is simultaneously daring and difficult, challenging yet compelling, filled with a warmth of emotion yet governed by a calculating intellect.

And Messe I.X-VI.X is no different, in that regard. Continue reading »

Aug 182013
 

This is a surprising piece of news about a band who seem to specialize in surprises. Norway’s Ulver have changed their sound dramatically over the years, losing and gaining different groups of fans as their music has changed. Their latest album (their 12th) is named Messe I.X–VI.X. We’ve been expecting it, but the delivery came today in a way we didn’t expect. Here’s the full text of the message that appeared this morning on Ulver’s official site (and thank you BadWolf for the tip about this):

GLOOMY SUNDAY

Dear parish, as CDs are airborne – and leakage is imminent – we have decided to accelerate the digital release on our own platforms. We have held back as long as we can. Messe I.X–VI.X is now available from our webshop and Bandcamp. Just like that.

Again: we urge all conscientious music lovers to purchase digital from our platforms. WAV and all other formats at Bandcamp, 320 kbps MP3 via our webshop. Spotify and iTunes will follow in September, along with the release of Kscope’s standard editions.

Please share and spread the word. We hope you enjoy the somber sound of the wolves’ mass.

Ulver, Oslo, August 18 2013. Continue reading »

Nov 162012
 

(Guest contributor Kaptain Carbon is getting a head start on year-end listmania with a most amusing review of albums he missed earlier in the year. Despite the fact that I laughed out loud on numerous occasions, I haven’t forgotten that the Kaptain owes me a Russian Nesting Doll. Some things you don’t forget.)

Well, I am now a guest in another person’s house. I should take my shoes off and pretend I eat with my pants on. No Clean Singing put out a call for entries and usually I would be hosting board game night in my basement over at Tape Wyrm but now I am here. What a lovely house you have. I really love your collection of Russian Nesting Dolls. Oh dear, I think this one may be broken. I’ll set it down right here.

2012 is almost done and we will soon all be judged before the great cosmic eye. Before our fate is weighed on the gilded scales at an altar of ivory and blood, we all have to go through our end of the year lists. Yes, before the inevitable reckoning, where December is consumed in an omnipresence hellfire, we have to make our top 10s of 2012. Now, we all know it will probably go to the new Marilyn Manson record, but there is also the matter of the stacks of records which now make a castle on your coffee table. Look at this mess. Look at all of this stuff you said you were going to listen to but never did. You are a horrible human. I found this Abigail Williams record in the vegetable crisper.

I recently went through my library and pulled out all of the 2012 records I meant to review but never got around to doing so because I am a terrible metal-hating human being who secretly loves everything which you hate. I just want to make sure I did not miss anything, so I am going to go through this pile of laundry and rifle through its contents before throwing it back on the ground. Sure, things will still be messy, but there was production involved.

It is time to revisit the forgotten, at least by me, and the never-heard of 2012. Sure, No Clean Singing is giving me a wonderful opportunity to share some of my work with you, but let’s be honest, I woke up late and I am doing my homework while running to class. Thank you No Clean Singing for this opportunity and fuck you, you motherfucking stupid cocksucking alarm WHERE ARE MY KEYS? Continue reading »

Jun 012012
 

I’ve been doing actual paying work all morning. I took a break not long ago and cast my baleful eye around the interhole and my NCS e-mail box to see what there was to see and hear. And these are things I thought worth passing on.

First, that cover you see above is for a tribute album to Emperor called In Honour of Icon E, which will be released on June 25 by Metal Swamp. It’s a very nice piece of art, created by Wolkogniv of Folkingrimm Art.

It also looks like it will be a very nice album, with Emperor covers by the likes of Demonical, Helheim, Horna, Taake, and Setherial. I’ll give you the full tracklist rundown after the jump, but the news for today is that the album has gone up on Amqzon for pre-order, which means you can hear snippets of each song here. Continue reading »