Apr 292011
 

(I swear this was a coincidence. I wrote a post that went up earlier today on metal covers based on a single by Anachronaeon we received yesterday, and then our UK contributor Andy Synn delivered this special edition of THE SYNN REPORT about . . . covers. This is the kind of occurrence that sends me back to the dictionary once again to figure out the difference between synchronicity and serenditpity. Or maybe it’s both.)

Covers are a strange breed of song – they’re the equivalent of a parallel universe, an alternate history, a What If? Comic, an adaptation of your favourite book starring an unexpected actor, a Shakespeare play set in an average American high school…

Seriously though, they have a huge amount of potential, both to be intriguingly inventive and woefully horrendous. Their success (or lack thereof) depends on many factors, but mainly on the song-choice itself – is it a natural fit for the band? Do they have the intelligence to re-work it in a distinctive manner? Or is it simply enough to tear through it in their own inimitable style, making few changes, but relying on sheer power to see them through?

I have chosen 15 artists who have produced some of my own personal favourite covers, showcasing a variety of approaches, some fully traditional takes on the original, others totally reworked variations. If there’s one thing that these covers show however, it is the subtle threads that inter-link all different sub-genres of rock and metal, which allow bands to re-work them organically. (more after the jump . . .) Continue reading »

Apr 152011
 

(Our UK contributor Andy Synn provides this review of the new album by Norway’s Ulver, which will be released by the Kscope label on April 25 in the UK and on May 3 in the U.S.)

At their recent London show, Ulver, in traditionally uncompromising fashion, elected to play the entirety of their as-yet unheard new album, start to finish, as the majority of their set without reference to the classics or fan favourites. Thus my first exposure to the music was as part of a brilliant, shining experience of crystalline dynamics, stark, psychedelic sounds and captivating visuals. Thankfully, the record stands up to this live experience, confirming and expanding upon my initial impressions.

Essentially Wars Of The Roses stands as a companion piece to Shadows Of The Sun. Where Shadows was warm and subtle, the new album is colder and more starkly portrayed. Much as the artwork of Shadows… reflects the warm shades of melancholy contained within, so does the beautiful, minimalist black and white art of Wars… reflect the clarity and extremity of emotion contained within.

Yet for all the cold and stark presentation of dichotomous musical elements on this album, there is a deep seam of emotion to be discovered beneath the surface. Whereas Shadows… was earthy and masculine, Wars… is ethereal and feminine, a female moon to a male sun, brilliant whiteness and deep shadows containing grand sweeping vistas of divergent emotions.  (more after the jump . . .) Continue reading »

Feb 242011
 

We’ve got a couple of quick updates for you about bands we like (used to like?), one of which we’ve been writing about recently — The Haunted and Ulver. The cause for the updates? Both bands have recently made brand new songs available for streaming; in The Haunted’s case, it’s the third song to be released from their forthcoming album.

The verdict? Well, there’s good news and bad news.

THE HAUNTED

Previously, we’ve featured the first two songs from The Haunted’s new album, due for release next month: “No Ghost” and, as recently as yesterday, “Disappear”. Today, the band put up the new album’s title track, “Unseen”, for streaming on their Facebook page.

The good news is that if you like Chevelle-style hard rock with metal riffs and clean singing, you will like the new song. It’s probably better than whatever is topping the hard rock charts these days, but honestly, I wouldn’t know because I don’t get near that kind of music any more.  The bad news? (more after the jump, including Ulver’s new track . . .) Continue reading »