(In this post TheMadIsraeli reviews the forthcoming new album by Poland’s Vader.)
Can we just agree at this point that Vader is the Clint Eastwood of death metal? Clint Eastwood, in all of his films where he has appeared as an actor, has basically put out nothing but awesome movie after awesome movie. They have only varied in degrees of how good they are, but if I were to think in terms of a personal one-to-ten scale, Eastwood has never scored below an eight, even at his worst, despite (or maybe because of) the fact that his on-screen persona rarely changes very much. I view Vader in the same way; they have that Clint Eastwood trait of never changing dramatically, merely showing different shades and sides of themselves.
I mean yeah, the band have had their The Bridges of Madison County (The Beast in their case, which strayed into some slightly different territory), but the fact remains that Vader have been a band who are metal, war, and imperialism incarnate. They’ve done this consistently for years with inhumanly good results.
At this point, that history also makes Vader albums pretty difficult to review. Not because they are hard to describe, but because “It’s a Vader album” tells you what you need to know. It’s almost as if there is no point in reviewing their music any more because it has proven itself so remarkably consistent in quality, and it’s not as if they’ve ever taken a huge step outside of their box either. With that said, though, I’m enthusiastically rabid for Tibi Et Igni. It has been on never-ending repeat since we got the promo for it. Continue reading »









