(written by Islander)
Our beloved Metal-Archives (well, beloved by many, despised by others) still calls the music of Pennsylvania-based Veilburner “Black/Death Metal”, even after a run of six albums released so far, culminating in 2022’s VLBRNR, that throws bombs in the midst of such genre conventions, coupled with lyrical formulations that are no more conventional than the music.
M-A is to be forgiven for so rudely simplifying the band’s musical eclecticism in their expressions of fury and disgust over humanity’s self-mangling. Especially after VLBRNR, we’d drown in hyphens and slashes trying to incorporate all the musical ingredients the band have so freely thrown into the mix in musically rendering the recurrent absurdities of human existence.
M-A is also to be forgiven because Veilburner‘s eclecticism isn’t scattershot. They do have their anchor-points in death and black metal, like the bolts that connect a swaying bridge to its rocky endpoints above a chasm, the bridge they race across in ways both dizzying and dazzling (and frightening) without pitching headlong into a flailing descent with no good end.
The history built by those first six albums makes the impending release of a seventh one a signal event, with intrigue being a chief part of the anticipation: What have they done now? We already have signs, because two album tracks have surfaced so far, and now we bring a third one to your attention. Continue reading »