Oct 022018
 

 

Short But Sweet” is the tag we usually apply to reviews and streams of EPs and other releases that are less than album-length; we would apply the tag consistently except sometimes I forget to add it. Today I’m adding it when in one instance I probably shouldn’t, since one of the following releases is classified as an album — though it’s only about six minutes longer than one of the following EPs. But I’m late getting to it and wanted to say something about it without further delay.

This post is “Short But Sweet” for another reason: Pressed for time, I’m not able to write respectable reviews, just brief words of praise about each of these four items. I’ll add that each of these occupies a different genre space from the others, so you should check out all of them even if some don’t hit your own sweet spot.

ARES KINGDOM

My interest in this Kansas City death-thrashing band, whose recording roots go back into the mid-’90s, extends to the very early days of this site — the first review I wrote about their music was in May 2010, about six months after I launched NCS. I’ve written more things about them since then, not only because their music is so damned good but also because I also got interested in their personal stories. Continue reading »

Feb 282013
 

 

I’m still in day-job hell, or more accurately day-and-night-job hell. All personal plans for listening to albums and EPs and writing reviews are on hold. Actually, everything I do here is pretty much on hold except for quickly checking metal news and doing some fast web surfing in search of new songs — and I make time for that mainly to preserve some feeble semblance of balance in my existence.

In this post are new or new-ish things from four bands that I randomly happened upon. By the end of the post, you may conclude that my efforts at preserving balance have failed and I’ve fallen off the edge.

IMPERIUM DEKADENZ

I discovered this German band in the spring of 2010 and wrote a review of their then-current album Procella Vadens (which is superb), except I wrote it as if Suffocation’s Frank Mullen were writing the review. Seemed like a good idea at the time. Continue reading »