SEEN AND HEARD ON A SATURDAY: VIDRES A LA SANG, GOLGOTHAN REMAINS, APOSTASIE, EUCLIDIAN, BOMBUS, [4672], SOLAR WIMP, HEXENBRETT, GLORIOUS WOUNDS, YUNCLAS

 Metal News, RANDOM FUCKING MUSIC  7 Responses »
Oct 122024
 


Vidres a la Sang

(written by Islander)

Last week I came across the word “Alician” for the first time. Pronounced similarly to “elysian”, it means “Surreal, whimsical, or illogical.” Maybe you can guess by now that it’s based on the character Alice, the heroine of Lewis Carroll’s books Alice’s Adventures in Wonderland and Through the Looking-Glass.

By coincidence the word came back to me as I was sifting through a big pile of music in order to make choices for this Saturday roundup. It came back to me because at some point I began to feel like I was tumbling farther and farther down a rabbit-hole, coming across one thing after another that really did sound “surreal, whimsical, or illogical”.

We’ll get to those songs, because I hung onto them, but not right away. Right away, we’ll get to something much more serious — unsettling in a different way. Continue reading »

AN NCS PREMIERE: VIDRES A LA SANG — “SALVEU-ME ELS ULLS”

 Premieres  No Responses »
Jun 062022
 

 

Heads will spin, nerves will twitch, and jaws will drop. Those are among our predictions for listener reactions to Fragments de l’esdevenir, the new album by the Catalonian band Vidres A La Sang, their fifth full-length since 2004 and their first one in four years. It’s an unusual and thoroughly fascinating piece of musical alchemy, one that’s intricate and technically impressive, experimental and progressive, both bewildering and mesmerizing, and yet also fiery and ferocious in ways that will appeal to fans of death and black metal. Anyone who attempts to fashion a genre label for it will do so at their peril.

Much more could be said (and undoubtedly will be said) about Fragments de l’esdevenir, because it’s so multi-faceted and adventurous in its songwriting and so dazzling in its execution, one of those albums whose music demands close attention because it’s elaborate and ever-changing, but somehow also hits at a reflexive level, compulsively provoking movement and changing moods at the same time as it’s challenging your higher mental faculties to keep up with what’s happening.

The song we’re premiering today is a great example of what we’re struggling to say about the album experience — not that our struggles will cease, because we will forge ahead with some further linguistic exercises by way of introducing you to the marvels of “Salveu-me els ulls“. Continue reading »