May 222024
 

(Daniel Barkasi provided us the following extensive report on the Tampa stop of the ongoing Chaos & Carnage Tour. All photos by: Brittany Barkasi @Turn off the Thunder)

The tour package dubbed Chaos & Carnage admittedly hasn’t always been a can’t miss for this scribe. Early adoptions didn’t completely appeal to my tastes, though there always have been a band or two that were very much in my wheelhouse. Variety is the spice of life, after all. Some have been outright dismissive of this tour package due to deathcore being a “dirty word,” but I’d argue that it’s way more logical to take each act on their own merits and go from there versus casting a wide net of negativity due to a label. You do you, though!

This year’s edition boasts the most varied and intriguing lineup to date. The mighty Cattle Decapitation are an all-timer, and were announced to be co-headlining with Carnifex. Support comes from Humanity’s Last Breath, Rivers of Nihil, The Zenith Passage, Vitriol, and Face Yourself. That’s a lot of bands that will get the blood pumping, and more importantly for yours truly, a diverse smattering of sound variances which could offer something for even the most discerning. Continue reading »

Jan 182024
 

(DGR sets out to discover what Vitriol have become on their second album, out next week)

It’s been four years and change since the release of Vitriol‘s stunning full length To Bathe From The Throat Of Cowardice and, save for an EP of re-done/re-approached earlier material from an embryonic form of the band released during the plague years, we haven’t really heard much from them since.

And while there have been other groups in the meantime that have attempted (and sometimes succeeded) to play at the same relentless firestorm level, what makes Vitriol in particular work is the perceived integrity and passion in their music.

You get a sense listening to them that they mean every word that they say and will only stop when whichever vocalist is on the mic runs out of a) space for words or b) breath to utter said words.

But constantly maintaining that level of intensity will, inevitably, burn anybody out… which brings us firmly back around to Vitriol‘s second full length release, because it’s not humanly feasible for a group to exist at that level of intensity all over again… is it?

Continue reading »

Dec 092023
 

Happy Saturday, or whatever other day you’re in when you come across this collection of new music.

I’m taking a lazy way out here — mainly just spewing a bunch of new metal songs and videos at you without much, or any, of the usual commentary. It’s actually not because I’m feeling lazy, it’s because I’m getting crushed by my fucking day job. Sadly (very sadly for me), it’s going to get worse as we approach the end of the year, and even worser in January.

I’ve never given any details about my job, but it’s not 9-5. Some days it might be Noon-3, but other days it might be 5 (a.m.) to midnight, and I have no control over the schedule. Mostly it leaves me plenty of time for NCS. Now, and increasingly until mid-January, it’s going to choke me.

At some point soon I’ll explain what that’s likely to do to some portions of our annual LISTMANIA extravaganza and the usual schedule of daily premieres, but not now. Now I only have time enough to start the spewing of this new stuff I’ve enjoyed, presented in alphabetical order by band name. Continue reading »

Nov 042023
 


Vitriol – photo by Peter Beste

It’s been a hell of a week for yours truly, emphasis on hell. In an average week now, the release of new metal is a deluge. This past week, another Bandcamp Friday pushed the storm-surge higher. Fittingly, as I write this, the rain is coming down outside like a fucking monsoon, a rarity here in the usually drizzly Pacific Northwest.

On top of that I decided to get the latest covid vaccine and the latest flu shot on the same day early in the week. When you have as much gray hair as I do and have spent the majority of your life smoking, getting both of those shots was strongly recommended. In hindsight, getting them both at the same time was a dumbass move.

Sore arms for a few days, of course, and all my energy also evaporated for a few days too, as it did with every previous covid jab. But this time my head and lungs got congested like someone had flooded them with concrete slurry and my nose ran like a leaky faucet. That has slowly improved, but I’m still congested and damned tired of that.

The combination of a big flood-tide of new music and a misery-clogged head isn’t a great combination for this usual Saturday column. Although I’m still happy with today’s picks, there should have been more. At least you can’t hear me hacking and snorting, so that’s one blessing. More blessings to follow…. Continue reading »

Sep 112019
 

 

(This is TheMadIsraeli’s review of the debut album by Portland-based Vitriol, which was released by Century Media Records on September 6th.)

I reviewed Vitriol’s debut EP in 2017, which you can read here for context, and I gave it VERY high praise. I found the band to be a refreshing new face eager to return death metal to its late ’90s/early 2000s zenith with a manic style that combined excessive technicality, song-writing prowess, overpowering posture, and commitment to their craft in the vein of Cryptopsy, Suffocation, Dying Fetus, Hate Eternal, Origin, etc.  Don’t misread my words though. I don’t think these guys are THE NEW FACE of death metal, but in the current age they do have an acute and rare understanding of what makes death metal, especially on the more technical front, so cathartic and engaging.

And now we’re here, with Vitriol’s debut LP To Bathe From The Throat Of Cowardice.  One thing worth noting is that all four songs from the debut EP are on this record, with the EP’s title track in fact closing the album.  I’m just gonna put my initial hot take about this album out there, and digress from there. Continue reading »

Aug 302019
 

 

Today’s round-up of new music, divided into two parts, focuses on flavors of death metal (particularly destructive death metal, I should add), hence the title of this post. We begin with a stream of a complete new release (which includes a couple of exclusive song streams you’ll find only at NCS) and then move from there into advance tracks from forthcoming records. Look for Part 2 (which hasn’t yet been finished) a bit later today.

GRAVEVIEW

The first thing that struck me about Graveview after listening to only the first track on the recently released compilation of their two demos is how goddamn massive they sound — like being right up next to some giant excavation machine gouging out the guts of a stone quarry, operated by madmen who are ignoring all occupational safety and health regulations. Continue reading »

Jul 262019
 

 

Some weeks I have no time for even one round-up. This week I’ve gone overboard with them. Make hay while the sun shines and all that shit.

The hay I’ve made today before we hit the weekend flows like this (yeah, I know, hay doesn’t flow): We begin with an utterly decimating piece of sonic warfare, and then get pretty damned thrashy through the next three  tracks (the kind of songs that will get your motor running fast and hot). After that I’ve gone in a couple of other directions, one of which will bury you beneath mountains of stupendous heaviness and the other of which will then fill your subterranean crypt with horrors, because we don’t want you to spend eternity alone.

VITRIOL

Some metal memories are more vivid than others. I distinctly remember, for example, being left slack-jawed and dumb-struck when I first heard this Portland death metal band’s debut EP Pain Will Define Their Death. Equally vivid was the impression that Vitriol left when I caught their live performance at Northwest Terror Fest in Seattle earlier this year. It was so goddamned ferocious that it sucked the air from my lungs. And then also vivid again was my chance encounter backstage, right after the performance, with vocalist/guitarist Kyle Rasmussen, who could not have been more happy, humble, and engaging.

Put all those vivid impressions together, and they leave me super-eager for Vitriol’s debut album, To Bathe from the Throat of Cowardice, which will be released by no less a label than Century Media Records on September 6th. Continue reading »

Dec 152018
 

 

Having been immersed in year-end LISTMANIA and other diversions since completing a recent vacation, I have a large backlog of newly released music that I’ve only just begin working my way through over the last couple of days. From what I’ve heard so far, I assembled the following collection — almost all of them advance tracks from forthcoming releases, plus one new bonus track that arrived late last month.

KALEIKR

In extreme metal circles these days, when one thinks of Iceland one thinks of black metal. Draugsól was one of many Icelandic black metal bands who proved their worth, with a fine 2017 debut album named Volaða land (we learned more about the band and that album in a 2017 NCS interview of guitarist M.K. and vocalist A.J.). Now, two of Draugsól’s three members (guitarist/bassist/vocalist Maximilian Klimkoare and drummer Kjartan Harðarson) are forging ahead under a new name — Kaleikr — and their new album Heart of Lead will be released on February 15th by Debemur Morti Productions. Continue reading »

Jan 152018
 

 

Welcome to the 4th installment of my evolving list of infectious songs from last year. I’m continuing to have fun re-listening to tracks from 2017 on my massive list of candidates, and also having fun deciding which picks to group together.

Today, for example, I decided to group these three tracks together not only because I find the songs to be highly infectious but also because listening to them back-to-back is a very effective way of blowing my brain to smithereens. And who doesn’t enjoy that? In addition, all three of these tracks debuted with videos that are quite entertaining to watch.

VALLENFYRE

Well, we’ve been worshipfully prostrating ourselves to Vallenfyre for years at NCS, from the very beginning straight through to the band’s latest album, Fear Those Who Fear Him, which might be the end (see this interview). And so, it should come as no surprise that I’ve picked another Vallenfyre song for another Most Infectious Song list. Continue reading »

Nov 102017
 

(This is TheMadIsraeli’s review of the new EP by Vitriol from Portland, Oregon, with a complete Bandcamp stream on the day of its release.)

Ted O’Neill of Oblivion tells me about this guy, Kyle Rasmussen, and his band Vitriol and says I should look into them, tells me he thinks they’re going to be a significant band to pay attention to. I get these recommendations all the time, and of course as a music journo or blogger of any sort your instant thought is to think someone’s just trying to signal-boost their friends. I still check those recommendations out, of course, because I’d be close-minded to take the cynical route. I hit up Kyle for his band’s debut EP and… it did not disappoint.

Vitriol hit a death metal note that’s not really been struck for a while now, that brand of out-of-control, rabid, and schizophrenic tech death some of us associate with the likes of Cryptopsy and Cephalic Carnage — structured delirium, organized chaos, encapsulated insanity. Continue reading »