Feb 142020
 

 

On Valentine’s Day 2011 (here) I provided a 600-word history of the holiday going back to the Roman celebration of Lupercalia, interspersed with efforts to explain why Valentine’s Day is metal. Re-reading it this morning, I nearly passed out from the tedium.

On Valentine’s Day 2012 (here) I posted an NCS “lonely hearts” column in which I answered a variety of e-mails from women offering to video-chat with me (soapy and fresh out of the shower), people trying to sell me products that would give me “robust bone-ons”, others who wanted to have my children (I proposed to send ampules of love juice and suggested names for the kiddos), and a few broken-hearted people looking for help (I told them to just go ahead and kill themselves). The Comments were funnier than what I wrote. I’m more grown-up than that now (yeah, right).

As far as I can tell, I haven’t made an effort since then to organize any kind of holiday-related theme for the music I’ve posted on Valentine’s Day, though I’ve usually make some kind of (usually snarky) comment about the day, typically related to how commercialized the holiday is. In case you were wondering, this year the National Retail Federation reports that those celebrating Valentine’s Day in the U.S. plan to spend a record average of $196.31, up 21 percent over last year’s previous record of $161.96, and that total spending is expected to total $27.4 billion, up 32 percent from last year’s record of $20.7 billion.

Isn’t that heart-warming? Continue reading »

Sep 292017
 

 

(This is Part 3 of Austin Weber’s ongoing series devoted to reviews of 2017 releases we haven’t previously covered. More installments will be presented next week.)

In spite of what the naysayers will tell you, I’m of the opinion that there’s an absolutely ridiculous amount of good metal releases coming out all the time, many of them coming from new groups or independent groups that we’re just now catching onto for the first time.

This lengthy round-up has been in the works for awhile, but I kept adding more and more to the list of what I wanted to cover, and that delayed it until now. The focus here is on releases that dropped in 2017 that haven’t been covered at NCS yet. We’ll run through a boatload of harsh and unorthodox black metal, mountains of mathcore, death metal of all stripes, a few technical grindcore acts, a ton of different prog-metal bands, some sick instrumental metal jams, and a whole lot more. Hopefully you will find something new you enjoy in each installment.

PSUDOKU – DEEP SPACE PSUDOKUMENT

Cult favorite weirdo grinders from Norway, Psudoku, are back again with a new release of strange grindcore from an alternate timeline. This isn’t the first time I’ve covered them at NCS, having previously highlighted them in a 2015 article regarding their prior album, Planetarisk Psudoku. Somehow the group continue to push their already out-there songs into ever-stranger territory on their new 2017 album, Deep Space Psudokument. Continue reading »

Apr 272016
 

Arms art

 

(Austin Weber continues to pitch in on round-up duty with the second part of a multi-part post recommending metal we haven’t previously covered. You can find Part 1 here.)

Arms – Blackout

You ready to get down with some nasty math-grind? Because Arms bring it throughout every jagged and howling minute of their sophomore full-length, Blackout.

I have Ken Reda from Bhavachakra (previously covered in a song premiere here at NCS!)  to thank for tipping me off to this most excellent display of virulent rad viciousness! I think it’s additionally cool that the diverse and complex sonic whirlwind that Blackout delivers is the result of only one guy, Orlando, Florida-based musician/sound engineer Paul Hundeby. Continue reading »