Jul 232020
 

 

(DGR reviews the new album by the Swedish death metal band Volturyon, which ViciSolum Records will release on July 24th.)

When it comes to death metal out here in our private corner of the far reaches of the internet, we’ve often found our fair share of comfort in the caveman-striking-rock aspect of the style. We’ve celebrated this ideal as being appropriately ‘stupid’ and embraced it. If you’re looking for chin-stroking and thought-provoking versions of the genre, you can look at other groups, and we’ve done our best to warn you what you’re in for, early on in our reviews, when it comes to those more primitive assaults. Sometimes, it’s been tempting to just post album art and have a review play out as the written equivalent of the Dead dove do not eat scene from Arrested Development.

The death metal collective Volturyon fall firmly in the caveman camp musically, although the band are a decidedly more modern take on the blastbeat-happy chainsaw riffage of current death metal than they are the classic hammering thud of death and roll – yet you can glance at the group’s collected album and EP artworks over their career and have a pretty good picture of what the crew sound like.

Which is why it’s nice that on the group’s newest album Xenogenesis – their first with vocalist Mikko Voutilainen handling monster noise duty – there are a handful of nuanced and subtle takes on current world events, approaching issues from a multitude of angles, recognizing the grey area that is often called ‘the truth’, and speaking on the economic impact these sorts of things can have on the…. just kidding. There’s a song on here called “World Pandemic” and if you’ve glanced at the album art and remembered what we were discussing in the opening paragraph then you know exactly what the song (and from a broader perspective, the musical stylings of Xenogenesis) are going to be about. Continue reading »

Jun 272020
 

 

This is a follow-on to another gigantic round-up I posted yesterday, and almost all of the songs and videos below were released during the last five days.

I may have mentioned that although my day-job (which still hasn’t reopened) is in Seattle, I live on an island in Puget Sound. Living here has lots of pluses and a few minuses, one of which is that whenever one of the weather gods so much as sneezes the power and the internet go out, which is what happened this morning.

So, I’ve been using my phone as a hot spot. That has slowed me down, and has made doing this tedious enough that I’ve not only cut back on my words but also largely left these items without the usual purchase links, Facebook pages, and other info about the records. I’ll try to go back and fill all that in when doing it is a less annoying process.

CIRKELN (Sweden)

An epic musical narrative, both gloom shrouded and frenzied, melancholy and murderous, haunting and majestic. Seemingly a Tolkein-esque tale told by an orc bred in the subterranean halls of Utumno and raging against his enslavement, the dramatic song blends numerous heavy metal styles to very good effect. Continue reading »

Jun 082020
 

 

If you’re seeing this before seeing the first two Parts of the round-up, I hope you’ll check out Part 1 and Part 2. After a lot of singing in Part 2, we’re moving back into music that’s more in line with the site’s name.

BLACK CROWN INITIATE (U.S.)

The kaleidoscopic opening track in this collection moves from mystical and mesmerizing sounds into the embrace of humming low tones and head-hooking beats (and singing), and from there into a grim, ravaging, bullet-spitting attack, augmented by doses of vocal ferocity (as well as flaring melody and soaring song). Skittering, darting, and delirious fretwork and blaring chords propel the song to fiery heights, and the singing becomes spine-tingling. A welcome return from these talented dudes…. Continue reading »

Sep 052017
 


Dyscarnate

 

(DGR has again stepped forward for round-up duty and has pulled together 9 new songs and videos that caught his eye between last week and yesterday.)

Last week saw a tremendous on-rush of heavy metal news, and of course, since many people knew that we here in the States (or at least many of us) would get a long three-day weekend, a lot of it hit in the back half of the week. As the site’s resident hoover vacuum, I’ve compiled an itemized list of nine… items… that caught my interest over the course of the week that we didn’t get a chance to cover that I will now lovingly shove right into your faces.

If you’re a big fan of death metal and its chugging ilk, this roundup is mostly for you, as it seemed like a large chunk of what I found came from that sphere of influence. There’s definitely the requisite world-traveling element as well, as we go from England to Canada to Italy to the States to Greece to Sweden (twice), and you can see where this is going from here. So let’s quit goofing off and get to the fun stuff. Continue reading »

Jan 212017
 

 

For the 15th installment in our Most Infectious Song series I decided to create a death metal immersion, with three songs that all have old school flavors, the first most strongly of all, but are all different from each other in interesting ways, too. I’ll also mention that all three of these tracks were recommendations from my comrade DGR, who has a thing about speed and a certain kind of drumwork, although a couple of these songs were also on my own list of candidates that grew as 2016 rolled along.

For those who might be joining this rollout only now, you can browse the previous 14 parts by clicking this link.

CENTINEX

After eight albums going back to 1992’s Subconscious Lobotomy and a dozen shorter releases, Sweden’s Centinex disbanded in 2006 — but they crawled out of their grave in 2014 and released a comeback album named Redeeming Filth, which was a hell of a comeback. And I put a deliciously morbid track from that album (“Moist Purple Skin”) on my 2014 Most Infectious Song list. In 2016 they released a killer follow-up with Doomsday Rituals, which is the source of the first song in this installment of the 2016 list. Continue reading »

Aug 232016
 

Volturyon-Cleansed By Carnage

 

(DGR reviews the new album by Sweden’s Volturyon.)

Sweden’s Volturyon are a band for whom I’ve been waving the banner pretty frequently — most of that faith inspired by the EP they put out in 2014 entitled Human Demolition. It’s one that I bring up often because I feel like it flew under the radar of a lot of metal listeners; to me that seems insane, because I am hardly ever on the cutting edge of anything, and if I have something that I feel flew under the radar — something that seems to consistently surprise listeners every time I show it to them — then something isn’t right, and I need to do more to shout it from the mountaintops.

Human Demolition was a concise EP, with four songs and an intro, and three of those songs were blisteringly quick death metal grinders, with one sort of mid-tempo chuggathon to break up the pacing a tiny bit. “Concrete Devotion” is a constant highlight for me. That’s why I was pretty much locked in from the start with the group’s upcoming early-September release, Cleansed By Carnage. Continue reading »

Aug 012016
 

Volturyon-Cleansed by Carnage

 

(DGR volunteered for round-up duty to start our week, and brings us new music from seven bands plus new-album news from an eighth.)

We have been trying our damndest to keep up with the flow of music that has been spilling forth from the gaping maw of heavy metal recently, but it has become clear that this is a war that must be fought on multiple fronts. Thus, I find myself once again deploying to the Seen and Heard front lines with a veritable smorgasbord of new music, videos, and album announcements for you to all enjoy.

I had a lot of fun figuring out where to position each band this time, as I have a very symmetrical idea of how things in this Seen and Heard should be approached — resulting in tremendously heavy music spilling into some infectiously light stuff and then returning right back to the abyss from which it came. You may need to settle in for this one; there’s a lot of fantastic stuff packed within this round-up, and it just goes to show that 2016 is proving to be a hell of a year for metal. Continue reading »

Jun 172016
 

Mr. Trash Wheel-Baltimore

 

(DGR takes over round-up duties today, featuring commentary and a wide array of recent song, video, and album streams. This would have been posted much earlier in the week if our editor weren’t so lame.)

If you’ve been reading the site recently you’ve no doubt noticed that quite a few of us shirked work and decided instead to go out to Maryland for the Maryland Deathfest shindig that the internet likes to talk so much about. However, the internet doesn’t take time off like we do and quite a bit of stuff came out during that period that despite our best efforts slipped right by us.

On top of that, since we’ve been playing catch-up for the last two weeks, a veritable pile of new music landed on top of us as well. And so I find myself opening my great maw wide in order to capture as much of it as possible — as well as using this as an opportunity to share some stuff that flew right past us long before we had MDF as an excuse for being terrible people.

Contained in this here news roundup is a veritable smorgasboard of new music, some of which came to us by the bands themselves and other times was discovered whilst I was spinning in circles on the internet. Either way, there’s a ton of stuff what floated down the river here — only to be captured by my net/boat/if only there was some sort of metaphor or object I could compare my news capturing ability to… ah well, maybe next time. Let’s get on with it. Continue reading »

Jul 182015
 

Volturyon-Human Demolition

 

Well, when I made the announcement that I was going to resume the roll-out of our list of last year’s Most Infectious Extreme Metal Songs — five months after the last installment in the series — I did warn you that I probably wouldn’t be posting a new installment every day. But I didn’t think I’d let three weeks go by after the last installment. Sorry about that.

Anyway, here are two more songs for the list, and I have two more in mind for tomorrow — and if perchance you don’t know what this list is about, you can find an explanation here.

VOLTURYON

Volturyon’s vicious little five-track gem of an EP, Human Demolition, was a particular favorite of my comrade DGR (reviewed here). Thanks to him, I finally listened to all of it a couple of weeks ago, and yeah, I’m sold. There are really no weak spots on the EP, but one song in particular stands out as the most infectious, and that one is the next addition to this list. I’ll borrow from DGR’s review: Continue reading »

Jun 302014
 

 

(DGR wrote this review of the new EP by Sweden’s Volturyon.)

Volturyon are one of those groups I came to incredibly late. I had heard the name before, but my attention wasn’t directed toward them until the guys who made up the band started appearing in other projects I had been listening to — in this case, drummer Christian Netzell, who at the time was playing in In Mourning, and vocalist Alexander Högbom, who turned up in October Tide. Later, bassist Oskar Pålsson from Coldworker would join their lineup as well, but I don’t know if he contributed to Human Demolition. It was, however, one of those coincidences that make the band seem like a death metal explosion built out of the most volatile chemicals that they could find.

The timing of my discovery would prove fortuitous because the band had started hinting at new material, yet I still had enough time to explore, and genuinely enjoy, their earlier works — just so I knew what I would be in for. However, what I hadn’t expected was that when Volturyon took just enough time to put out an EP, they were going to condense the very best of their sound down into four songs and a real quick intro — and genuinely surprise me with some of my favorite material to date.

Long story short, I knew Human Demolition was going to be good, but I did not think it was going to be this good. It’s one of the few discs this year that has left me with whiplash because I couldn’t resist whipping what is left of my glorious mane up and down in rapid-fire sync with the music. Continue reading »