(This is another typically extensive review from DGR, and this time the subject of his attention is a new album by Warforged, which is out now on The Artisan Era.)
The launch of Chicago-based Warforged‘s first EP Essence Of The Land was promising. In the weird melange that is the progressive tech/death/prog/seventeen-other-subgenres world that Warforged exists in, that 2014 release felt like it was a few steps ahead of the game: a forecast of where many participants in that particular subsection of the prefix-core genre would be aiming in the future.
In the long run they were correct, because the following five or six years saw a huge explosion in ‘everything and the kitchen sink’ style writing where bands were willing to try anything in order to break out of the endless breakdowns and guitar noodling mold. Warforged just happened to beat everyone to the punch by a few years.
They were so on the forefront of that movement that other than the “Two Demons” single in 2015 it would be almost five years between the EP and the group’s first full-length – the incredibly indulgent hour and twelve minute monster that was 2019’s I: Voice, wherein not a single song would come in under the six-minute mark and about a third of them leapt well over the nine-minute hurdle. Continue reading »