(Andy Synn reviews the new album by the Belgian band Wiegedood.)
Like an idiot I’ve been putting this review off for over a month now, shuffling it back into the pack again and again whenever something else comes along and jumps to the front of my mental queue. And that’s extremely unfair to the band and, perhaps just as much, unfair to our readers as well, as De Doden Hebben Het Goed is one fine-fettered slab of pitch-black savagery and anguish.
The Belgian three-piece, whose name is also the Dutch term for “Sudden Infant Death Syndrome” (way to keep it morbid, guys), possess an enviable knack for pumping out a ferocious torrent of rage and fury, whilst maintaining a keen melodic edge, that’s neither weak, nor overbearing. That may not sound like much, but it’s a hard balance to get just right, and these guys make it look like child’s play. Pun intended. Continue reading »