(Andy Synn reviews the recently-released new album from mysterious one-man army Ὁπλίτης)
It is, quite frankly, somewhat astonishing how productive Liu Zhenyang, aka Ὁπλίτης, has been since the release of their debut EP in the closing days of 2021.
What’s even more astonishing is that, despite its prolific nature, the quality of their output has never wavered over the course of the subsequent three albums (some might say they’ve only gotten better, in fact).
Each time a new record rears its head part of me expects to be disappointed – surely they can’t maintain this consistent a level of quality, at this rapid a pace, forever – and each time I’m happy to be proven wrong.
And now, barely a year on from the release of their very first full-length, Ὁπλίτης may have already locked down a place on my End of The Year list with their fourth album, Παραμαινομένη.